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Postmodernistična romana Ime rože Umberta Eca in Parfum Patricka Süskinda ter njuni filmski verziji v režiji Jean-Jacques Annauda in Toma Tykwerja : diplomsko delo
ID Zorn, Nina (Author), ID Matajc, Vanesa (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo obravnava dve postmodernistični deli, ki sta nastali v 80. letih 20. stoletja, Ime rože Umberta Eca in Parfum Patricka Süskinda. Oba romana sta bila s strani bralcev sprejeta tako dobro, da sta bila po njunih predlogah posneta tudi filma, Ime rože pod vodstvom režiserja Jean-Jacquesa Annauda, Parfum pa v režiji Toma Tykwerja. Prvi del diplomske naloge se osredotoča na obdobje postmodernizma, ki je utemeljen na podlagi pomembnih literarnih teoretikov te dobe; predvsem Umberta Eca in Viktorja Žmegača. V drugem delu diplomske naloge sta predstavljena naslovna romana, njune glavne značilnosti ter odzivi nanju s strani kritikov in publike na splošno. Tretji del je namenjen postmodernističnemu filmu kot adaptaciji romana, predstavi pa tudi začetke postmodernizma na televiziji.

Language:Slovenian
Keywords:literatura in film, italijanska književnost, nemška književnost, postmoderna, postmodernizem, roman, filmske priredbe, Annaud, Jean-Jacques, Twyker, Tom, diplomsko delo
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[N. Zorn]
Year:2016
Number of pages:122 str.
PID:20.500.12556/RUL-105001 This link opens in a new window
UDC:82.091:791.31
COBISS.SI-ID:61880930 This link opens in a new window
Publication date in RUL:19.10.2018
Views:2151
Downloads:525
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Secondary language

Language:English
Abstract:
The thesis deals with two postmodern works that were created in the 80s of the 20th century, the Name of the Rose by Umberto Eco and Perfume by Patrick Suskind. Both novels were by the readers accepted so well that they were made into film, Name of the Rose was directed by Jean-Jacques Annaud, Perfume was directed by Tom Tykwer. The first part of the thesis focuses on the period of postmodernism, which is justified on grounds of major literary theorists of that era; especially Umberto Eco and Viktor Žmegac. In the second part the thesis presents novels itselfs, their main characteristics and response of critics and audience. The third part focuses on a postmodernist film adaptation of the novel, and presents as well as the beginnings of postmodernism on television.


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