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Spektakel in simulaker v delu Beli šum Dona DeLilla : raziskava v problem realnega
ID Sterle, Miha (Author), ID Bahovec, Eva D. (Mentor) More about this mentor... This link opens in a new window, ID Kos, Matevž (Mentor) More about this mentor... This link opens in a new window

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Abstract
Pričujoča diplomska naloga v svojem prvem delu raziskuje koncepta spektakla (Guy Debord) in simulakra (Jean Baudrillard) ter njuno nanašanje na pojem realnega. S slednjim v mislih pokaže pot, ki vodi od Marxove odtujenosti preko Debordovega spektakla do Buadrillardove simulacije in s tem smiselno poveže ter zaključi filozofsko dogajanje v okolici dvojice spektakel/simulaker tekom druge polovice 20. stoletja. V zaključnem delu prvega dela diplomske naloge ponudim kratko alternativno razumevanje simulacije, ki omogoči pozitivni pogled na navidezno neprebojno negativnost Baudrillardove aporije. V drugem delu diplomske naloge filozofski koncepti iz prvega dela postanejo temelji analize romana Beli šum ameriškega avtorja Dona DeLilla. Njen namen je predstaviti branje, v katerem se celotni svet romana orientira glede na filozofski argument v njegovem središču. Zaključek je tu razdeljen na dva dela: prvi se ukvarja z razrešitvijo filozofske problematike, ki je podana znotraj romana, drugi pa s konceptom problemske literature in teoretskimi posledicami, ki jo ima koncept problemske literature za literaturo nasploh.

Language:Slovenian
Keywords:literatura in filozofija, realno, spektakel, simulaker, ameriška književnost, diplomsko delo
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[M. Sterle]
Year:2017
Number of pages:44 f.
PID:20.500.12556/RUL-104589 This link opens in a new window
UDC:821.111(73).09DeLillo D.
COBISS.SI-ID:65154402 This link opens in a new window
Publication date in RUL:08.10.2018
Views:1122
Downloads:398
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Secondary language

Language:English
Abstract:
In the first part of my bachelor thesis, I investigate the concept of spectacle (Guy Debord) and the concept of simulacra (Jean Baudrillard) and their engagement with the concept of reality. Centered on it a path is shown that leads from Marx's alienation to Debord's spectacle and ends in Baudrillard's simulation. A certain way of thinking about reality in the second half of the 20th century using the double spectacle/simulacra is thus established. At the end of the first part of my thesis, an alternative reading of Baudrillard's negative aporia of simulation is proposed. In the second part of my thesis, philosophical concepts give way to an analysis of the novel White noise written by American author Don DeLillo. The purpose of this reading is to show how the whole of the novel could be understood as being oriented and moved by the philosophical argument discussed in the first part of my thesis. The ending of this part is divided in two: first part deals with the solution to the philosophical argument proposed by DeLillo himself and the other with the concept of problem oriented literature and one of the consequences such a concept would have on the field of literary theory.


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