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Značilnosti kratke proze Roberta Bolaña : diplomsko delo
ID Kermavner, Matej (Author), ID Virk, Tomislav (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo skuša podati celosten pregled vseh štirih zbirk kratkih zgodb Roberta Bolaña in predstaviti glavne značilnosti njegove kratke proze. V večini zgodb zasledimo lik Artura Belana, Bolañevega alter ega, ki nastopa kot pripovedovalec, protagonist ali sekundarna oseba. Intertekstualnost je verjetno najpomembnejša lastnost celotne Bolañeve proze, avtor pa s konkretnimi primeri predstavi različne tipe intertekstualnosti, ki se pojavljajo v zgodbah. V zgodbi Sensini gre za poklon argentinskemu pisatelju Antoniu Di Benedettiju, v Beležki plesov (Carnet de baile) pa za kritiko Nerude in parodiranje biblične oblike besedila. V Podganjem policaju (El policía de las ratas) Bolaño prenese dogajalni prostor iz Kafkine zgodbe Pevka Jožefina ali mišji rod in variira temo umetnikove usode, v zgodbi Neznosni gaučo (El gaucho insufrible) pa gre za variacijo toposa civilizacija - barbarstvo, značilnega za južnoameriško književnost. Avtor v delu govori tudi o intermedialnosti med filmom in kratko prozo Roberta Bolaña, za konec pa analizira motive samote tekom umetnikovega ustvarjanja.

Language:Slovenian
Keywords:latinskoameriške književnosti, čilska književnost, kratka proza, intertekstualnost, diplomsko delo
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[M. Kermavner]
Year:2016
Number of pages:39 str.
PID:20.500.12556/RUL-104541 This link opens in a new window
UDC:821.134.2(83).09-32Bolaño R.
COBISS.SI-ID:61893986 This link opens in a new window
Publication date in RUL:08.10.2018
Views:1473
Downloads:206
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Secondary language

Language:English
Abstract:
Undergraduate thesis attempts to present an overview of Roberto Bolaño's four short story collections and its most important characteristics. In the majority of the stories we come across Bolaño's alter ego, a character named Arturo Belano, in the role of narrator, protagonist or secondary character. Intertextuality is probably the most importatnt characteristic of Bolaño's prose and author's goal is to present examples of different types of intertextuality in the stories. The story Sensini pays homage to Argentinian writer Antonio Di Benedetti, meanwhile Dance card mocks Neruda and parodies biblical text form. In the Police rat Bolaño borrows fictional world from Kafka's Josephine the singer, or the mouse folk and writes a variation on the theme of artist's fate. Author also writes about the variation of the famous South American literary topos (civilization - barbarity) which appears in the story The insufferable gaucho. Besides all that, this thesis talks about connection between film and Bolaño's short stories and finishes with the analysis of the motive of loneliness in different periods of Bolaño's work.


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