Recepcija nekaterih Ibsenovih ženskih likov v slovenski publicistiki 1892-1928 : diplomsko delo

Bolčina, Erika (author), Smolej, Tone (mentor), Pezdirc Bartol, Mateja (mentor)

Diplomska naloga je posvečena recepciji petih Ibsenovih ženskih likov v slovenski publicistiki med letoma 1892 in 1928. Letnica 1892 predstavlja leto, ko smo se Slovenci prvič srečali z Ibsenom, letnica 1928 pa sovpada s stoto obletnico Ibsenovega rojstva. Naloga vsebuje pregled Ibsenovega življenja, dramskega opusa in njegovega sprejema pri Slovencih. Predstavljen je Ibsenov pogled na ženske in njihov položaj v času avtorjevega življenja. V ospredju je odziv slovenskih kritikov na Noro Helmer, Helene Alving, Heddo Gabler, Elido Wangel in Hedvigo Ekdal. To so tiste ženske osebe, ki so pri nas naletele na največji odziv. Nori kritiki očitajo naivnost in egoizem, Helene tragičnost in svobodomiselnost, Heddi kontroverznost in demoničnost, v Elidi vidijo razdvojenost, Hedvigi pa pripisujejo izjemno tragičnost. Z izjemo slednje, ki se jim zdi najbolj resnična in pristna, se slovenski publicisti večinsko strinjajo, da so Ibsenove ženske življenjsko nemogoče in zgolj konstruirane v skladu z njegovimi idejami.

• Language: Slovenian
• Keywords: norveška književnost, norveška dramatika, ženske, ženski liki, recepcija v Sloveniji, gledališke uprizoritve, gledališka kritika, diplomsko delo
• Work type: Bachelor thesis/paper
• Typology: 2.11 - Undergraduate Thesis
• Organization: FF - Faculty of Arts
• Place of publishing: Ljubljana
• Publisher: [E. Bolčina]
• Year: 2015
• Number of pages: 48 f.
• PID: 20.500.12556/RUL-104506
• UDC: 821.113.5.091-2Ibsen H.
• COBISS.SI-ID: 58338658
• Publication date in RUL: 08.10.2018

Secondary language

• Language: English

Abstract

The thesis is dedicated to the reception of five Ibsen's women figures in the Slovene journalism between 1892 and 1922. Slovenes have first met with Ibsen in 1892, whereas the year 1928 coincides with the hundredth anniversary of the birth of Ibsen. The thesis provides an overview of Ibsen's life, work and his reception in Slovenia. The thesis presents Ibsen's view on women and their position during his lifetime. The focus is on Slovene critics' response to Nora Helmer, Helene Alving, Hedda Gabler, Ellida Wangel and Hedvig Ekdal. These are those women figures that garnered great response in Slovenia. Nora is reproached with naivety and egoism, Helene with tragicalness and freethinking, Hedda with controversy and demonism, Ellida is perceived as with a split personality and Hedvig as an extremely tragic figure. With the exception of the latter, that is perceived by Slovene's critics as the most authentic and realistic, they are of the opinion that Ibsen's women can not exist and are constructed in accordance with his ideas.