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Risba in plakat kot odraz skupnih slogovnih konceptov v konstruktivizmu in pop artu : diplomsko delo
ID Ferfolja, Dea (Author), ID Stančič, Zora (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/id/eprint/5290 This link opens in a new window

Abstract
Konstruktivizem in pop art sta umetniška sloga 20. stoletja, ki sta s svojimi koncepti ter deli prinesla revolucionarne spremembe v umetnost in družbo. Smeri sta nastajali v času velikih družbeno-političnih nemirov, ki so pri umetnikih sprožili željo in potrebo po aktivnem vključevanju umetnosti v družbo. Konstruktivizem se je začel leta 1915. Njegovi pripadniki so takoj uvideli, da bi morala umetnost za časa velikih družbenih sprememb v Rusiji igrati ne le estetske, ampak še vse drugačno vlogo. V okviru opredelitve družbeno-ekonomskih okoliščin, kot sta npr. ruska revolucija in uvedba Nove ekonomske politike (1921), ki sta znatno vplivali na dotlej kapitalistično družbo Rusije, bom predstavila ustvarjalni par V. Majakovski in A. Rodčenko. Ta umetnika sta s plakati na sublimen način sporočala kritiko kapitalistične družbe. Pop art pa zaživi v 50. letih 20. stoletja v Britaniji in ZDA. Njegovi pripadniki so opazovali družbene spremembe, predvsem na področju potrošništva in medijev. Opredelila bom tedanje družbene razmere v ZDA, ki so vplivale na razvoj pop arta, in predstavila štiri umetnike, ki so s svojimi deli zaznamovali omenjeni umetniški slog. Veliko njihovih del je bilo narejenih v obliki plakata ali oglasa, in sicer z elementi potrošniške kulture, kot so fotografije izdelkov in likov iz revij, oglasov ter ostalih medijev. Odgovore na raziskovalna vprašanja bom prikazala preko lastnih likovnih izdelkov, v katerih sem združila slogovne koncepte konstruktivizma in pop arta.

Language:Slovenian
Keywords:konstruktivizem, pop art, Rusija, ZDA, plakat, risba, kapitalizem, potrošništvo
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Publisher:[D. Ferfolja]
Year:2018
Number of pages:43 str.
PID:20.500.12556/RUL-104156 This link opens in a new window
UDC:7.038(043.2)
COBISS.SI-ID:12114505 This link opens in a new window
Publication date in RUL:10.12.2018
Views:1031
Downloads:136
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Secondary language

Language:English
Title:Drawing and poster as reflection of common stylistic concepts in constructivism and pop art
Abstract:
Constructivism and Pop Art are art movements of 20th century, which concepts and works had brought revolutionary changes in the world of art and society. They had arised in a time of great social and political restlessness in which the artists got the idea to became more socialy active through art. Constructivism began in 1915. His memebers based in Russia had realised that art must have had a much more important role, above aesthetics. Within the definition of Russia's socioeconomic circumstances of that time, including the Russian Revolution and New Economic Policy (1921) that strongly affected the Russian capitalist society, I will present the creative pair V. Mayakovsky and A. Rodchenko. Their works and posters contain sublime critique on the capitalist society. Pop Art appeared in Britain and the United States in the mid-1950s. His memebers had been observing the social changes made by consumerism and the media. I will define the US social circumstances that affected the development of Pop Art and present four Pop Art artists whose works marked the art movemen. A lot of their works were made like posters or addvertisements, including mass media culture elements such as images from magazines, adverts and other media. The answers on my research questions are shown through my art posters in which I combined stylistic concepts of Constructivism and Pop Art.

Keywords:art, umetnost

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