Fenomenalizacija risbe v grafiki

Novak, Janez Albert (author), Suhy, Branko (mentor)

Danes pod pojmom grafika poznamo tehnike od umetniške klasične grafike pa do tehnik novih medijev. Breda Škrjanec v Predgovoru h katalogu Password: printmaking namiguje, da je bisvo izdelave tiska njegova možnost ponovitve. Tehnologija nam danes res omogoča skoraj neomejeno število ponovitev. V umetniški grafiki proces ročnega izdelovanja omogoča originalne likovne forme ter neguje umetnikovo likovno govorico. To je zame bistvenega pomena. S to izkušnjo umetnik pili svoje sposobnosti opazovanja, natančnosti in dobi čut za estetsko vrednost. Umetnik mora imeti sebi lastno likovno mišljenje, poznati mora materiale in obvladovati mora razne postopke in tehnike. Tehnika ne zagotavlja originala in tudi grafična reprodukcija ne. Pod imenom grafika se danes pojavljajo razni printi in reprodukcije. Mnenje nepoučenih, da je klasična grafika že izčrpala možnosti in da ne napreduje vzporedno s tehnološkimi inovacijami, preprečuje razvoj celotni stroki. Tudi umetniki pripomorejo k zmedi s podpisovanjem raznih printov kot originalov. Tako početje povzroča zmešnjavo predvsem med zbiralci, ki pa jih vedno bolj zanima originalna umetniška grafika. Teoretičnemu delu sledi poglavje o lastnih likovnih delih ter umetnikih, ki so me inspirirali in vplivali na moje delo.

• Language: Slovenian
• Keywords: Slikarstvo, grafika, tisk, odtis, umetniška grafika, ponovitev, likovna forma, original, zbiralci, diplomska naloga.
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2018
• PID: 20.500.12556/RUL-103394
• Publication date in RUL: 16.09.2018

Secondary language

• Language: English
• Title: Phenomenalisation of drawing in graphic art

Abstract

Under the concept of printmaking we these days recognise unlimited technical variations. Starting with the art of classical printmaking up to the techniques employed by the new medias. In the catalogue entitled ‘password: printmaking’; Breda Škrjanec in her text suggests that the main point of printmaking is the possibility of reproduction such as current technology allows and in almost infinite repetitions. However the process of producing hand crafted and printed graphic works allows and nurtures original artistic expression and each artist’s narrative. This is what I wish to put my name to. Experience like that refines artists observation, precision and the necessary estetic values. The artist must have his own creative stream and he must be completely familiar with the material he uses and is required to master various techniques and print processes. The techniques employed do not guarantee an original result and the same thing goes for print reproduction. These days the meaning of term graphic print encompasses various printing methods and reproductions. Uneducated notion that printmaking has already hit the limits of its possibilities and unable or unwilling to follow technological advances hinders its development. The artist themselves add to confusion by signing their various prints as an original. These activity causes confusion particularly among the collectors whose increased interest centres on finding the original prints. Following the theoretical work is a chapter dedicated to my own print work and to the artists who influenced and inspired me.

• Keywords: Painting, printmaking, impression, print, original print, reproduction, matrix, original, collecting, BA thesis.