izpis_h1_title_alt

Ikonografija alienacije v Chaplinovem filmu Moderni časi
Musić, Irma (Author), Škerlep, Andrej (Mentor) More about this mentor... This link opens in a new window

.pdfPDF - Presentation file, Download (1,79 MB)
MD5: F982A3E6021D552E0CD194142500254B

Abstract
Charlie Chaplin velja za enega največjih filmskih ustvarjalcev, ki je v svojih 75 letih delovanja na področju filmskega ustvarjanja povzdignil filmsko umetnost na novo raven. Diplomsko delo temelji na diskurzu analize njegovega filma Moderni časi in iskanju implikacij taylorizma in fordizma, ki sta neposredno spremenila organizacijo dela v času vzpona kapitalističnega sistema proizvodnje. Chaplin v filmu izpostavi tematiko, v kakšnem odnosu je človek do tehnološkega napredka in kako ta vpliva na človekovo delo in ne nazadnje vsakdanje življenje. Glavni namen dela je skozi vizualne reprezentacije v filmski naraciji in diskurza filmskih študij predstaviti vizualne kompozicije, ki jih Chaplin uporabi v filmu. V prvem – teoretskem delu se osredotočam na opisovanje konceptov taylorizma in fordizma, omenim tudi marxistični pogled na delitev dela ter predpostavke, ki vodijo v odtujitev od tega. Sledi opisovanje filma kot umetnosti 20. stoletja. Znotraj tega je opredeljena vizualna reprezentacija v filmski naraciji, kot tudi filmske študije, v okviru katerih je predstavljenih nekaj osnovnih formalnih prvin. Prav tako je kratko predstavljeno Chaplinovo življenje in ustvarjalni opus. V drugem delu diplomskega dela se lotim analize ˝branja filma˝ in iskanja vizualnih elementov, ki implicirajo na koncepte, ki jih opisujem v prvem delu.

Language:Slovenian
Keywords:Charlie Chaplin, Moderni časi, taylorizem in fordizem, filmske študije, filmske reprezentacije.
Work type:Bachelor thesis/paper (mb11)
Organization:FDV - Faculty of Social Sciences
Year:2018
COBISS.SI-ID:35873373 This link opens in a new window
Views:538
Downloads:227
Metadata:XML RDF-CHPDL DC-XML DC-RDF
 
Average score:(0 votes)
Your score:Voting is allowed only to logged in users.
:
Share:AddThis
AddThis uses cookies that require your consent. Edit consent...

Secondary language

Language:English
Title:Iconography of Alienation in Chaplin's film Modern Times
Abstract:
Charlie Chaplin is considered to be one of the greatest filmmakers who has in his 75 years of filmmaking elevated the art of film to a new level. The diploma thesis is based on the discourse of an analysis of his film Modern Times in the search of implications of Taylorism and Fordism, which have directly changed the organization of work during the rise of capitalist system of production. In the film, Chaplin highlights the theme of what attitude do people have towards the technological progress and how does it influence their work and, ultimately, everyday life. Main objective of the thesis is to present, through visual representation in film narrative and film studies discourse, the visual composition used by Chaplin in the film. In the first - theoretical part, I focus on describing the concepts of Taylorism and Fordism, I also mention the Marxist view on division of labor and assumptions that lead to alienation from it. That is followed by description of film as the art of the 20th century. Within this, visual representation is defined in film narrative as well as film studies, in which some main formal elements are presented. Chaplin’s life and creative opus are concisely presented as well. In the second part of the diploma thesis, I analyze the “reading of the film” and look for visual elements that imply to concepts I describe in the first part.

Keywords:Charlie Chaplin, Modern Times, Taylorism and Fordism, film studies, film representation.

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Comments

Leave comment

You have to log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back