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Vpliv obredne glasbe na religioznost človeka z vidika alikvotnih tonov : diplomsko delo
ID Sadar, Tadej (Author), ID Krajnc, Slavko (Mentor) More about this mentor... This link opens in a new window

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Abstract
Obredna glasba seže do korenin človeka. Iz tega sledi, da je zelo pomembno, kakšni glasbi človek prisluhne, toliko bolj, ko gre za obredno, ponavljajočo se glasbo. Gregorijanski koral je najbolj čista obredna glasba. V akustičnem prostoru se ob petju korala razvijejo alikvotni toni, ki ustvarijo popolno intonacijo, kot je bila ustvarjena. Sodobna intonacija je podrejena inštrumentom s tipkami in s tem temperirani uglasitvi, ki pa se zelo razlikuje od naravne, torej od Boga dane. Ker osnove harmonije v sebi nosijo sporočilo razmerja, ki je tudi osnovno sporočilo Svete Trojice, lahko sklepamo, da porušenje teh razmerij vpliva tudi na človeka, ki takšno glasbo posluša. Na problem temperirane uglasitve, so opozarjali mnogi strokovnjaki, naj navedem le najslavnejšega, Helmholtza. Različni cerkveni dokumenti gregorijanski koral postavljajo na prvo mesto. V izvirno akustičnem prostoru ta zvrst glasbe omogoča polno mistično izkušnjo, razloge za to pa gre iskati prav v popolni harmoniji, ki jo lahko ustvari. Obredna glasba je sestavni del liturgije in v gregorijanskem koralu moramo iskati vnovični razcvet cerkvene glasbe in nenazadnje tudi lepoto obredja.

Language:Slovenian
Keywords:temperirana uglasitev, alikvotni toni, obredna glasba, gregorijanski koral, razmerja v popolni harmoniji
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:TEOF - Theological Faculty
Place of publishing:Ljubljana
Publisher:[T. Sadar]
Year:2018
Number of pages:IV, 31 str.
PID:20.500.12556/RUL-102768 This link opens in a new window
UDC:27-184.3:783
COBISS.SI-ID:7960154 This link opens in a new window
Publication date in RUL:08.09.2018
Views:1687
Downloads:314
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Secondary language

Language:English
Title:The influence of ritual music on the religiousness of man from the aspect of aliquot tones
Abstract:
Ritual music reaches all the way to the roots of mankind. Consequently it is very important what sort of music man listens, even more so when it comes to ritual, repetitive music. Gregorian chant is the most pure ritual music. In the acoustic room the singing of the coral develops aliquot tones which create a perfect intonation, as it was created. Modern intonation is subordinate to the instruments with keys and thus to the tempered tuning, which differs greatly from the natural one, given by God. Since the basics of harmony carry the message of ratio, which is also the main message of the Holy Trinity, we can conclude that the destruction of these ratios also influences a human being who listens to such music. Many experts have been warning about the problem of tempered tuning, allow me to name the most famous one, Helmoltz. Different church documents place Gregorian chant in the first place. In the originally acoustic place this type of music allows for a full mystical experience. The reasons for this are to be found right in the perfect harmony which can be created by such music. Ritual music is an integral part of the liturgy and in Gregorian chant we have to look for the rebirth of church music and ultimately the beauty of the ritual.

Keywords:tempered tuning, aliquot tones, ritual music, gregorian chant, ratio in perfect harmony

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