Zamaknjenje svetega Frančiška. Eno prvih sakralnih del Michelangela Merisia da Caravaggia

Matančić Šendula, Marina (author), Kemperl, Metoda (mentor)

Michelangelo Merisi da Caravaggio velja za utemeljitelja italijanskega baročnega slikarstva in enega najvplivnejših italijanskih slikarjev v zgodovini umetnosti. V diplomski nalogi sem analizirala eno njegovih prvih sakralnih del - Zamaknjenje svetega Frančiška. Mnogi kritiki so prav to delo označili kot prelomnico, ki označuje nastanek baročnega slikarstva. Slika je nastala kot olje na platnu, v velikosti 93,9 cm x 129,5 cm, po naročilu genovskega bankirja Ottavia Costa in je danes v lasti muzeja Wadsworth Atheneum v Harthfordu. Po najnovejših raziskavah je slika nastala med letoma 1598 in 1599. Glavni namen diplomske naloge je bil izdelati podrobno analizo slike, ki še ni bila v celoti realizirana. Analizo sem začela z osnovnimi podatki, ki so mi pomagali pri razkritju problematike, ki se navezuje na leto nastanka, naročnika slike in okoliščine njenega nastanka. V naslednjem poglavju je podan predikonografski opis slike s formalno analizo, kjer sem opredelila snov, oblikovanje telesnosti in linij, prostora, kompozicije ter barvo in svetlobo. V ikonografski analizi sem raziskovala pomen različnih elementov v sliki, nato pa sem jih medsebojno povezala v celoto. Na koncu sem vse nadgradila s kontekstualno analizo, v kateri sem raziskovala celotno kulturno ozadje nastanka te umetnine, ki se razkrije z analiziranjem vseh dejavnikov nastanka: bolj osebnih, ki se nanašajo na umetnika in njegovo življenje, do širših kulturnozgodovinskih okoliščin, kot je čas protireformacije in izjemnega razvoja in razcveta znanosti, ki se je odražala tudi v umetnosti.

• Language: Slovenian
• Keywords: Michelangelo Merisi da Caravaggio
• Work type: Bachelor thesis/paper
• Typology: 2.11 - Undergraduate Thesis
• Organization: PEF - Faculty of Education
• Year: 2018
• PID: 20.500.12556/RUL-102355
• COBISS.SI-ID: 12092489
• Publication date in RUL: 31.08.2018

Secondary language

• Language: English
• Title: Saint Francis in ecstasy. One of the first sacral work of Michelangelo Merisi da Caravaggio

Abstract

Michelangelo Merisi da Caravaggio is considered the founder of the Italian Baroque art and one of the most influential Italian painters in art history. In my diploma thesis I examined one of his first sacral work - Saint Francis in Ecstasy. Many critics identified this piece as the milestone that indicates the conception of baroque painting. This piece has been created as an oil painting with the dimensions 93,9 cm x 129,5 cm for the Genoese banker Ottavio Costa and today it is in possession of the Wadsworth Atheneum Museum in Harthford. According to the newest research the painting appeared between 1598 and 1599. The main purpose of my thesis was to accomplish a detailed analysis of the painting that has never been fully realized. I started my analysis with basic informations in which I tried to detect the issue of the year of the conception, the purchaser of the painting and the circumstances of the conception. The next section is about pre-iconographic description of the painting with a formal analysis in which I defined the style, creation of physicality and formation of contour lines, space, composition and the analysis of colours and light. In the iconographic analysis I examined the meaning of various components of the painting and I interrelated them. In the end I upgraded all with a contextual analysis in which I examined the overall cultural background of the conception of this painting which is revealed with the processing of all circumstances of its creation: from personal facts about the artist and his life till cultural and historical circumstances such as the time of Catholic Reformation and the development and revival which reflected in the arts.

• Keywords: Michelangelo Merisi da Caravaggio