Tehnologija slik Frana Klemenčiča in problematika slike "Dekle v narodni noši"

Sterle, Ana (avtor), Močnik Ramovš, Lucija (mentor), Osterman, Natan (komentor)

Magistrska naloga predstavlja tehnologijo slik Frana Klemenčiča in obravnava kompleksno problematiko konserviranja-restavriranja nelakirane moderne slike "Dekle v narodni noši". Delo skuša odgovoriti na vprašanje, ali je za poškodbe, ki jih je slika utrpela, odgovorna izbira materialov ali zgolj gradnja slike. S tehnično fotografijo razkrivamo slikarjevo tehnologijo in tehnološko plat umetnine, hkrati pa podajamo izkušnjo konserviranja-restavriranja takšne umetnine s poudarkom na utrjevanju slikovnih plasti in odstranjevanju umazanije s površine, ki je izjemno občutljiva na vodne sisteme.

• Jezik: Slovenski jezik
• Ključne besede: konservatorstvo-restavratorstvo, moderna slika, tehnična fotografija, razpoke, čiščenje površine, utrjevanje, Fran Klemenčič, magistrska naloga
• Vrsta gradiva: Magistrsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2024
• PID: 20.500.12556/RUL-155930
• Datum objave v RUL: 24.04.2024

STERLE, Ana, 2024, Tehnologija slik Frana Klemenčiča in problematika slike „Dekle v narodni noši“ [na spletu]. Magistrsko delo. [Dostopano 14 april 2025]. Pridobljeno s: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=slv&id=155930

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: The techniques of Fran Klemenčič's paintings and the case study of the painting "The girl in the national costume"

Izvleček

This Master's thesis presents the techniques used by Fran Klemenčič for his paintings and examines the complex host of issues related to the conservation of the unvarnished modern painting "Girl in National Costume". The present work attempts to answer the question if the choice of materials or simply the techniques used by the painter are responsible for the damage suffered by the painting. With technical photography, we reveal the artist's technique and the materials used in the creation of the painting. Furthermore, we transcribe the procedures that were used for consolidation of the picture layers and removing debris from a surface that is extremely sensitive to water-based cleaning methods.

• Ključne besede: conservation-restoration, modern painting, technical photography, cracks, surface cleaning, consolidation, Fran Klemenčič, MA thesis