Obrazna mimika portreta

Mihalič, Lara (avtor), Djukić, Emina (mentor), Koštrun, Peter (komentor)

V svojem diplomskem delu Obrazna mimika portreta sem se naslovni temi posvetila tako s teoretične kakor tudi s praktične plati. V teoretičnem delu sem se ukvarjala z vprašanjem, kaj je portretna fotografija –osredotočila sem se na psihološko razlago čustev in na to, kaj čustva sploh so. Pisala sem tudi o razlikah med čustvi, občutki in razpoloženji. Natančneje sem obravnavala osnovna čustva, saj so nam le ta prirojena in jih zato lažje zaznavamo in dojemamo. Osnovna čustva so pri vseh enaka in zato lahko rečemo, da so univezalna. V praktičnem delu sem si za medij izbrala digitalno režirano studijsko portretno fotografijo. Sodelovala sem s tremi osebami, vsaka od njih se je vživljala v posamezno osnovno čustveno stanje. Rezultat praktičnega dela so portretne fotografije posameznika v določenem čustvenem stanju, kot dodatek pa so v prilogi priložena tudi njihovo mnenja o sodelovanju pri tej diplomi.

• Jezik: Slovenski jezik
• Ključne besede: Fotografija Vizualne komunikacije Portret Obrazna mimika Čustva Diplomska naloga
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2019
• PID: 20.500.12556/RUL-108659
• Datum objave v RUL: 11.07.2019

MIHALIČ, Lara, 2019, Obrazna mimika portreta [na spletu]. Diplomsko delo. [Dostopano 4 maj 2025]. Pridobljeno s: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=slv&id=108659

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Facial expression in portraiture

Izvleček

In my diploma thesis entitled Facial Imagery of the Portrait, I addressed the topic through theoretical as well as through practical treatment. In the theoretical part, I devoted myself to the question of what portrait photography is - I focused on the psychological interpretation of feelings and what emotions are at all. I also wrote about the differences between feelings, feelings and mood. More specifically, I dealt with basic emotions, since they are inherent in nature and are therefore easier to perceive and perceive. The basic emotions are inherent to us and therefore we can conclude that they are universal. In my practical work, I selected a digital-directed studio portrait photo-graphic for media. I worked with the three people I went through the same process of enrichment in each basic emotional state. As a finished product, we could see portraits of an individual in a particular emotional state. As an addition, their opinion on participation in this degree was also attached to them and their experience was instructive.

• Ključne besede: Photography VisualCommunications Portrait Facialexpressions Emotions BA thesis