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Obrazna mimika portreta
ID Mihalič, Lara (Author), ID Djukić, Emina (Mentor) More about this mentor... This link opens in a new window, ID Koštrun, Peter (Co-mentor)

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Abstract
V svojem diplomskem delu Obrazna mimika portreta sem se naslovni temi posvetila tako s teoretične kakor tudi s praktične plati. V teoretičnem delu sem se ukvarjala z vprašanjem, kaj je portretna fotografija –osredotočila sem se na psihološko razlago čustev in na to, kaj čustva sploh so. Pisala sem tudi o razlikah med čustvi, občutki in razpoloženji. Natančneje sem obravnavala osnovna čustva, saj so nam le ta prirojena in jih zato lažje zaznavamo in dojemamo. Osnovna čustva so pri vseh enaka in zato lahko rečemo, da so univezalna. V praktičnem delu sem si za medij izbrala digitalno režirano studijsko portretno fotografijo. Sodelovala sem s tremi osebami, vsaka od njih se je vživljala v posamezno osnovno čustveno stanje. Rezultat praktičnega dela so portretne fotografije posameznika v določenem čustvenem stanju, kot dodatek pa so v prilogi priložena tudi njihovo mnenja o sodelovanju pri tej diplomi.

Language:Slovenian
Keywords:Fotografija Vizualne komunikacije Portret Obrazna mimika Čustva Diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2019
PID:20.500.12556/RUL-108659 This link opens in a new window
Publication date in RUL:11.07.2019
Views:2102
Downloads:297
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Secondary language

Language:English
Title:Facial expression in portraiture
Abstract:
In my diploma thesis entitled Facial Imagery of the Portrait, I addressed the topic through theoretical as well as through practical treatment. In the theoretical part, I devoted myself to the question of what portrait photography is - I focused on the psychological interpretation of feelings and what emotions are at all. I also wrote about the differences between feelings, feelings and mood. More specifically, I dealt with basic emotions, since they are inherent in nature and are therefore easier to perceive and perceive. The basic emotions are inherent to us and therefore we can conclude that they are universal. In my practical work, I selected a digital-directed studio portrait photo-graphic for media. I worked with the three people I went through the same process of enrichment in each basic emotional state. As a finished product, we could see portraits of an individual in a particular emotional state. As an addition, their opinion on participation in this degree was also attached to them and their experience was instructive.

Keywords:Photography VisualCommunications Portrait Facialexpressions Emotions BA thesis

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