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Resničnostni šov in razkritje manipulacij v drami Hodnik Matjaža Zupančiča : diplomsko delo
ID Zupan, Ana (Author), ID Pezdirc-Bartol, Mateja (Mentor) More about this mentor... This link opens in a new window

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PID: 20.500.12556/rul/09b98cac-cf4e-4b44-90dc-2852e24ac86b

Abstract
V diplomskem delu sem ugotovila, da lahko med dramskim delom Hodnik, ki posnema formo resničnostnega šova, in živalskim vrtom potegnemo vzporednice; oba postavljata primerke oziroma posameznike na ogled in uporabljata spektakelske prisile. Posamezniki v dramskem besedilu so predstavljeni glede na svoje najbolj opazne lastnosti. Tudi prostor dogajanja je izbran tako, da z udeleženci manipulira. Samo na hodniku so 'oni sami', čeprav se sprašujejo ali na hodniku res ni kamer. V dramskem delu organizatorji igre manipulirajo z udeleženci resničnostnega šova, oboji pa manipulirajo z gledalci, ki v dramo niso vključeni. Hodnik nam to lahko pokaže, ker je fikcija in ne 'pravi' resničnostni šov.

Language:Slovenian
Keywords:slovenska književnost, slovenska dramatika, resničnostni šov, manipulacija, bolonjske diplome
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[A. Zupan]
Year:2017
Number of pages:30 f.
PID:20.500.12556/RUL-99249 This link opens in a new window
UDC:821.163.6.09-2Zupančič M.
COBISS.SI-ID:65080418 This link opens in a new window
Publication date in RUL:09.01.2018
Views:1470
Downloads:600
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Secondary language

Language:English
Abstract:
In my bachelor paper, I concluded that we could draw parallels between the play Corridor, which imitates the form of reality show, and the Zoo; both are putting individuals on display and are using constraint of spectacle. Individuals in play are presented according to their most noticeable characteristics. The narrative place is chosen in a way that it manipulates with participants. Only in the corridor, they are 'themselves', although they are questioning absence of cameras in corridor. In the play, the organizers of the game manipulate the participants of the reality show, and both manipulate the viewers, which are not included in the play. The corridor can show us this manipulation because it is a fiction and not a 'true' reality show.


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