The thesis in its opening part explains some history and the development of two photographic directions in the world and in Slovenia. It summarizes the development of the human body photography, with an emphasis on the photographic act and also the development of architectural photography and its impact on the development of photography in general. It mentions some representatives-photographers from different eras whose work has contributed to the understanding of the topics. The last part of the theoretical part of the thesis explains the terms dyptich and photographic diptych. It also explains the basics of art theory, which contributes to the understanding of the visual analysis of photographs.
In the practical part the thesis explains used methods of work during the creation of the photographs. It offerst the explanation of the work in the photographic studio and exterior, as well as a description of the photographic equipment and lighting fixtures. It describes the workflow in postproduction, which involves the conversion to black and white technique, adjusting brightness, hue and contrast, sharpness determination, retrievement of the lost information, cut, lens correction and combination of the photos into a diptych.
The topic of the thesis is the relationship between man and architecture combined in a photographic diptych. My goal is primarily to investigate in particular the similarities and contradictions between the topics and search, to explore how to create a diptych of quality. This means playing around with shapes, tones, contrasts, cuts ... and in this way to achieve not only a visual, but also a mental effect on the viewer.
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