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Skice za jedkanico in akvatinto
ID Jan, Alenka (Author), ID Frelih, Črtomir (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/4491/ This link opens in a new window

Abstract
V svojem diplomskem delu sem analizirala dve tehniki globokega tiska: jedkanico in akvatinto ter predstavila najvidnejše umetnike, ki so ustvarjali v omenjenih tehnikah. S formalno analizo likovnih del umetnikov sem ugotovila vlogo tonskih vrednosti in linearnih kvalitet v likovni kompoziciji ter vpliv tonskih in linearnih karakteristik v odnosu do grafičnih likovnih tehnik. Analize sem opravila ob likovnih delih naslednjih avtorjev: Francisco de Goya y Lucientes, Pablo Picasso, Bogdan Borčić in Karel Zelenko. V teoretičnem delu sem se prav tako osredotočila na kombiniranje tehnik akvatinte in jedkanice ter poiskala način, kako najprimerneje in čim bolj nazorno ustvariti skico za kombinacijo tehnik. V zadnjem delu predstavim svoja lastna likovna dela, ki se pričnejo z eno ali več skicami, sledijo morebitni poskusni odtisi in nato podpisani grafični listi.

Language:Slovenian
Keywords:grafika
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2017
PID:20.500.12556/RUL-92634 This link opens in a new window
COBISS.SI-ID:11582281 This link opens in a new window
Publication date in RUL:24.08.2017
Views:1529
Downloads:258
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Secondary language

Language:English
Title:Sketches for etching and aquatint
Abstract:
In my diploma thesis, I have analysed two techniques of deep print: etching and aquatint etching and presented the most evident artists who have created in the mentioned techniques. With formal analysis of art works of the artists, I have found out the role of tone values and linear quality in art composition and influence of tone and linear characteristics in relation to graphic art techniques. The analyses have been done by art works of the following authors: Francisco de Goya y Lucientes, Pablo Picasso, Bogdan Borčić, and Karel Zelenko. In the theoretic part, I have focused on combination of aquatint etching and etching. I have found the way, how to most appropriately and thoroughly create a sketch for combination of techniques. In the last part, I present my own art works, which begin with one or more sketches, follow possible experimental prints and then signed graphic papers.

Keywords:graphic

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