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Izrazna moč brezbesedilnega plakata
ID Cof, Vito (Author), ID Selan, Jurij (Mentor) More about this mentor... This link opens in a new window, ID Potočnik, Robert (Comentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/3873/ This link opens in a new window

Abstract
Diplomsko delo izpostavlja izrazno moč brezbesedilnega plakata kot primer vzpostavljanja univerzalne likovnovizualne komunikacije v širšem javnem prostoru. Brezbesedilni plakat v razmerju podoba – besedilo vso sporočilno težo prenese na podobo, besedilo pa popolnoma izgine ali pa kot referenca ostane le nekaj glavnih besed, ki sooblikujejo podobo. Prvi del diplome je namenjen teoretičnemu pregledu načinov komuniciranja in povezave med razvojem komunikacijskih orodij (tehnologije) in načini komuniciranja. Tehnološki razvoj povzroči premik h globalnemu komuniciranju. Komuniciranje na globalni ravni pa v vodilno vlogo v sporočilu postavi podobo, ki presega jezikovne omejitve in omogoča hitrejše in enostavnejše branje sporočila. Sodobni načini komuniciranja temeljijo na ustvarjanju sporočil brez besed oz. brezbesedilnih sporočilih. Z zgodovinskim pregledom razvoja plakata je prikazano, kako tehnološke spremembe vplivajo na družbo in njen način komuniciranja, kar se odraža tudi v plakatnem sporočilu. Kadar vsebina plakatnega sporočila preide na širši nivo skupnega družbenega interesa, v likovnem formiranju uporabijo izrazno moč brezbesedilnega sporočanja za vzpostavljanje učinkovite komunikacije na globalni ravni. S pregledom brezbesedilnih plakatov z družbenokritično vsebino se potrdi njihova izrazna moč, ki uspešno prenaša sporočilo tudi preko časovnih in geografskih omejitev. Prvi del diplome se zaključi s praktičnim delom v treh avtorskih brezbesedilnih plakatih z družbenokritično vsebino. V pedagoško-empiričnem delu se preko praktičnega dela z učenci prikaže pomen poznavanja likovnega jezika za učinkovito kodiranje in dekodiranje kompleksnejših likovno vizualnih sporočil. Z oblikovanjem družbenokritičnega plakatnega sporočila, vzpostavljanjem kriterijev ocenjevanja in z vrednotenjem del učenci usvojijo osnovna znanja o grafičnem oblikovanju in predvsem o oblikovanju plakatnega sporočila. S snovanjem brezbesedilnega sporočila pa se seznanijo s pomenom in vplivom, ki ga ima lahko brezbesedilno sporočilo v širšem javnem prostoru.

Language:Slovenian
Keywords:plakat
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2016
PID:20.500.12556/RUL-86045 This link opens in a new window
COBISS.SI-ID:11212873 This link opens in a new window
Publication date in RUL:19.09.2017
Views:1218
Downloads:279
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Secondary language

Language:English
Title:Expressive power of no words poster
Abstract:
This thesis discusses an expressive power of no words poster as an example of establishing a universal art of visual communication in a wider public sphere. The image-text ratio in a no words poster favours the image, while the importance of the text is significantly devalued, resulting in the image with no words or only a few key words remain as a reference supporting the image. The aim of the first part of the thesis is to theoretically examine different methods of communication, and a correlation between the development of communication tools (technology) and different methods of communication. A technological development has resulted in a shift towards global communication. Communication on a global scale foregrounds the image which has overcome linguistic constrains and thus enables a simpler way of decoding the message. Contemporary methods of communication are based on creating messages without words, i.e. non-verbal messages. In the historical review of the development of a poster it is shown how technological changes have influenced the society and its ways of communication, which is also reflected in the overall poster message. When the content of the poster message moves to a higher level of common social interest, the expressive power of non-verbal communication is used to establish effective communication on a global scale. An overview of no words posters with a socially critical content confirms their expressive power, with their message successfully transmitted over time and geographical constraints. The first part of the thesis ends with three original no words posters, all with a socially critical content. The pedagogical and empirical part of the thesis shows, through practical work with students, the significance of artistic language as a means of effective coding and decoding complex artistic and visual messages. By creating a socially critical poster message, establishing grading criteria, and evaluating some works, students learn about the basic graphic design tools, and, more specifically, also learn how to design a poster message. By forming their own non-verbal message, they become familiar with the significance and the influence such non-verbal messages can have in a public social setting.

Keywords:poster

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