Odnos med barvo in slikovnim formatom v indijski umetnosti

Cekuta, Nina (author), Selan, Jurij (mentor), Podobnik, Uršula (co-mentor)

Barva je nekaj, kar nas ves čas obdaja in nas spremlja na vsakem koraku. Na popotovanjih po Indiji sem še dodatno osupnila nad uporabo barv in njihovih kombinacij. Zato sem želela v diplomskem delu raziskati likovno vlogo barve v indijski umetnosti, v povezavi s slikovnim formatom. V teoretičnem delu naloge sem se zato posvetila sedmim barvnim kontrastom in simboliki barve v indijski kulturi ter jo primerjala z evropsko kulturo. Podrobno sem proučila likovni format in nato še analizirala odnos med barvo in likovnim formatom v indijski umetnosti. Bolj podrobno so predstavljene miniaturne slike in pa ljudska talna umetnost vzorcev kolam, rangoli in mandana. Na osnovi teoretične raziskave o odnosu med barvo in likovnim formatom sem na podlagi učnega načrta za osnovno šolo formulirala likovno nalogo. Otrokom sem predstavila indijsko umetnost, natančneje miniaturno slikarstvo in rangoli. Izpopolnili smo znanje o uporabi primarnih in sekundarnih barv ter uporabi različnih likovnih formatov.

• Language: Slovenian
• Keywords: likovno snovanje
• Work type: Undergraduate thesis
• Typology: 2.11 - Undergraduate Thesis
• Organization: PEF - Faculty of Education
• Year: 2016
• PID: 20.500.12556/RUL-84897
• COBISS.SI-ID: 11141961
• Publication date in RUL: 09.09.2016

Secondary language

• Language: English
• Title: Relation between colour and pictorial composition format in Indian art

Abstract

Colour is something which surrounds us all the time. My travels to India have made a lasting effect on me in terms of colours and its combinations. For this reason, in this thesis I have researched the role of colour in Indian art in connection with the pictorial composition format. Theoretical part deals with seven colour contrasts and symbolism of colour in Indian culture. I also covered pictorial composition format and made an analysis of relationship between colour and pictorial composition format in Indian art. I have covered more in detail miniature paintings and folk art of kolam, rangoli and mandana. On the basis of theoretical research of relationship between colour and pictorial composition format, I have prepared an art assignment for the students of primary school, based on my predefined curriculum. I presented Indian miniature painting and rangoli art to the students. I have also covered and improved their knowledge of the usage of primary and secondary colours and the usage of different pictorial composition format.

• Keywords: visual design