The diploma thesis deals with the relationship between a drawing and colour in the watercolour technique. The first chapter of the theoretical part is dedicated to a drawing. It surrounds us everywhere – from the first child's lines by a pencil across an empty sheet of paper and drawing with a finger in the sand to an architect's sketches and a biologist's notes. Despite being considered the basis of all fine arts and the fundamental means of communication, its role has changed throughout history. The description of the development of a drawing into an individual field is preceded by the research into its aim and functions as well as by the definition of a line and a point as its basic art elements.
The second chapter focuses on the development of watercolour, which has recently been gaining in popularity. Works by famous painters who found their expression also in this exciting technique have been used to present the use of watercolour in painting landscapes. Painters started using wash drawings and adding colours as early as in the Middle Ages, therefore the third chapter of this diploma thesis is dedicated to the synthesis of a line and the watercolour. It continues with the description of materials and methods used in creating a good watercolour. The empirical part presents artistic works combining watercolour and a line.
The pedagogical part consists of a lesson preparation as well as the analysis of works created in an art workshop,
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