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Reprezentacija moškosti v popularnem rapu na primeru 50 Cent
ID Šadl, Zdenka (Author), ID Pivec, Nataša (Author)

URLURL - Presentation file, Visit http://dk.fdv.uni-lj.si/db/pdfs/tip20073-4_Sadl_Pivec.pdf This link opens in a new window

Abstract
Avtorici v članku izhajata iz predpostavke o ponovnem vzpostavljanju hegemonične, t.j. vodilne moškosti, ki a priori negativno definira nasprotni pol - ženskost. Z analizo avdio-vizualnih posrednikov med ustvarjalcem in publiko na primeru ustvarjalca 50 Cent ugotavljata, da je reprezentacija črne moškosti strukturirana s tradicionalnimi diskurzi hegemonične moškosti, ki jih dopolnjujejo elementi dveh novih verzij moškosti: novega moškega - narcisista in maščevalnega moškega. Ugotavljata tudi, da je tako v popularno glasbo oz. popularni rap vpet seksizem, ki se, oprt na estetiko pornografije, izraža skozi proslavljanje maskulinizma (kot skupka moških lastnosti, a tudi kot sistema in ideologije) in reduciranje žensk na spolni objekt.

Language:Slovenian
Work type:Not categorized
Typology:1.01 - Original Scientific Article
Organization:FDV - Faculty of Social Sciences
Year:2007
Number of pages:Str. 447-460
Numbering:Letn. 44, št. 3/4
PID:20.500.12556/RUL-22581 This link opens in a new window
UDC:784.66(73):176
ISSN on article:0040-3598
COBISS.SI-ID:26563677 This link opens in a new window
Publication date in RUL:11.07.2014
Views:937
Downloads:154
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Record is a part of a journal

Title:Teorija in praksa : revija za družbena vprašanja
Shortened title:Teor. praksa
Publisher:Visoka šola za politične vede, Visoka šola za politične vede, Visoka šola za sociologijo, politične vede in novinarstvo, Fakulteta za sociologijo, politične vede in novinarstvo, Fakulteta za družbene vede
ISSN:0040-3598
COBISS.SI-ID:763652 This link opens in a new window

Secondary language

Language:English
Abstract:
The presumption of this article originates in revitalization of hegemonic masculinity which defines femininity - the opposite pole negatively. Through analysis of audio-visual mediators between artist (i.e. 50 Cent) and audience it is established that representation of black masculinity is structured through traditional discourses of hegemonic masculinity, supplemented with elements of new masculinities: new man - narcissist and the vengeance man. Popular music and specially, popular rap is inscribed with sexism that is based upon pornographic aesthetics and expresses itself as celebration of masculinism (i.e. collection of attributes of man and/or system/ideology) and through presentation of women as sex objects.


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