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Salammbô kot usodna ženska v slikarstvu 19. stoletja
ID Jerala, Monika (Author), ID Germ, Martin (Mentor) More about this mentor... This link opens in a new window

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Abstract
Usodna ženska je motiv, ki je postal popularen v umetnosti in literaturi 19. stoletja, čeprav so se tovrstni ženski liki pojavljali že vse od antike, razlog pa so bile v veliki meri družbene spremembe, ki so najbolj zamajale temelje takratne meščanske družbe. Usodne ženske so najbolj prepoznavne po svoji zapeljivi naravi, obscenem obnašanju ter pogubljanju moških. Taka je tudi kartažanska svečenica Salammbô – literarna junakinja francoskega pisatelja Gustava Flauberta. Salammbô je svoje mesto našla tudi v slikarski umetnosti, kjer je številne slikarje – kot so med drugimi Jules Jean Baptiste Toulot, Gabriel Ferrier, Carl Strathmann, Alfons Mucha in Gaston Bussière – privlačil predvsem njen odnos z ljubljenčkom pitonom. Dotični prizor v romanu sicer ne igra pomembnejše vloge, intimna bližina med žensko in kačo pa je bila za umetnost tega obdobja zelo zanimiva, kar se kaže tudi v drugih delih, ki upodabljajo usodne ženske s kačami.

Language:Slovenian
Keywords:Salammbô, Gustave Flaubert, usodna ženska, kača, slikarstvo konca 19. stoletja
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2024
PID:20.500.12556/RUL-165114 This link opens in a new window
Publication date in RUL:23.11.2024
Views:37
Downloads:12
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Secondary language

Language:English
Title:Salammbô as Femme Fatale
Abstract:
Femme fatale is a character that has been known from antiquity, however, it only become popular in art and literature of fin-de-siècle. The main reason for popularity in 19th century were changes in society that principally shook the foundation of bourgeoisie. Femme fatale is best known for her flirtatious nature, salacious behavior, and condemning men. The same can also be said for the Priestess of Carthage by the name of Salammbô – a heroine from the novel by French author Gustave Flaubert. Salammbô had found her place in visual art as well. Many painters such as Jules Jean Baptiste Toulot, Gabriel Ferrier, Carl Strathmann, Alfons Mucha, and Gaston Bussière among others, were charmed by her intimate relationship with her pet python. The scene from the novel that inspired artists doesn’t have high significance for the plot. However, the closeness between the woman and the snake was very alluring for portraying. This can be seen in many art works from this era, which also depict women with snakes.

Keywords:Salammbô, Gustave Flaubert, femme fatale, serpent, fin-de-siècle art

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