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Pomen socialne opore profesorja pri obvladovanju izvajalske anksioznosti študenta glasbe: mediacijski učinek sočutja do sebe in samoučinkovitosti : mediacijski učinek sočutja do sebe in samoučinkovitosti
ID Petavar, Ema (Author), ID Zager Kocjan, Gaja (Mentor) More about this mentor... This link opens in a new window, ID Habe, Katarina (Comentor)

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Abstract
V ospredju študije je bilo raziskovanje odnosa med socialno oporo profesorja in izvajalsko anksioznostjo študenta glasbe. Cilj raziskave je bil preučiti, ali socialna opora, natančneje zagotavljanje vrednosti, študentu s strani profesorja instrumenta ali petja pripomore k zniževanju izvajalske anksioznosti študenta, natančneje skrbi, povezanih z okoliščinami nastopanj. Preverili smo tako direktno kot posredno povezavo preko krepitve občutkov sočutja do sebe in samoučinkovitosti pri glasbenem nastopanju. Predvidevanja smo raziskovali na vzorcu 112 slovenskih študentov glasbe. Hipoteze smo preverjali z analizo poti in ugotovili, da socialna opora nima direktnega učinka na izraženost izvajalske anksioznosti. Ugotovili smo indirekten učinek preko samoučinkovitosti, saj socialna opora profesorja zvišuje občutke samoučinkovitosti, ti pa dalje znižujejo izraženost izvajalske anksioznosti. Socialna opora ni napovedovala sočutja do sebe, kljub temu pa je sočutje do sebe direktno in posredno preko večje samoučinkovitosti napovedovalo nižjo izvajalsko anksioznost. Ugotovitve kažejo na to, da je opora profesorja pomembna zlasti za krepitev občutkov samoučinkovitosti pri študentu glasbe, ti pa so dalje pomembni za zmanjševanje izvajalske anksioznosti. Četudi opora ne viša občutkov sočutja do sebe, je ta lastnost pomembna pri krepitvi samoučinkovitosti in tako neodvisno kot preko samoučinkovitosti znižuje izvajalsko anksioznost. Ugotovitve so dobro izhodišče za nadaljevanje raziskovanja odnosa med socialno oporo in izvajalsko anksioznostjo, prav tako pa lahko služijo kot usmeritve za profesorje pri nudenju socialne opore, vpeljavi dodatnih študijskih aktivnosti v smeri krepitve sočutja do sebe in samoučinkovitosti pri glasbenem nastopanju, z namenom obvladovanja izvajalske anksioznosti.

Language:Slovenian
Keywords:izvajalska anksioznost, socialna opora, sočutje do sebe, samoučinkovitost, glasbeno nastopanje
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
AG - Academy of Music
Place of publishing:Ljubljana
Publisher:[E. Petavar]
Year:2024
Number of pages:41 str.
PID:20.500.12556/RUL-162940 This link opens in a new window
UDC:159.923:37.015.3:78(043.2)
COBISS.SI-ID:213025283 This link opens in a new window
Publication date in RUL:30.09.2024
Views:102
Downloads:29
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Secondary language

Language:English
Title:The role of professor support in managing performance anxiety in music students: the mediating role of self-compassion and self-efficacy
Abstract:
In the following study, the focus was on exploring the relationship between the variables of social support from the professor, specifically reassurance of worth, and music performance anxiety in music students, specifically personal concerns about the performance. The aim of the study was to examine whether social support from the professor helps to decrease music performance anxiety, both directly and indirectly through enhancing self-compassion and self-efficacy. We tested our hypotheses on a sample of 112 Slovenian music students. We tested the hypotheses using path analysis and found that social support has no direct effect on the expression of music performance anxiety. However, we found an indirect effect through self-efficacy, as social support from the professor increases feelings of self-efficacy, which further decreases the expression of music performance anxiety. Social support did not predict self-compassion, but self-compassion did predict lower music performance anxiety, both directly and indirectly through higher self-efficacy. The findings suggest that support from the professor is particularly important for enhancing feelings of self-efficacy in the individual, and these are further important for reducing music performance anxiety. Even if support does not increase feelings of self-compassion, this trait is important in enhancing self-efficacy and reduces music performance anxiety both independently and through self-efficacy. The findings provide a good starting point for further research on the relationship between social support and music performance anxiety and can serve as guidelines for professors in providing social support. Additionally, they can serve as directions for additional study activities towards enhancing self-compassion and self-efficacy in musical performance in order to manage music performance anxiety.

Keywords:music performance anxiety, social support, self-compassion, self-efficacy, musical performing

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