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Rob, ki se je uprl centru / Odprti atelje
ID Knapič, Maša (Author), ID Berlot Pompe, Uršula (Mentor) More about this mentor... This link opens in a new window, ID Kariž, Žiga (Mentor) More about this mentor... This link opens in a new window

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Abstract
Izhodišče magistrske naloge se ukvarja z razumevanjem odnosa med objektom in njegovo umeščenostjo v razstavo. Gesta umestitve spodbuja modifikacije vnesenih elementov in nase posledično pripenja nova vprašanja. Med pisanjem se bom vsebinsko opirala na ključne pojme: razstava, rekvizit, sistem, avtonomija, nadzor, ter jih poskušala pozicionirati do lastne prakse. Medija razstave se bom lotila z vidika popolne instalacije, zlasti njenega reverzibilnega odnosa do objekta. Upoštevala bom prisotnost gledalca, časa, prostora in spremenljivosti, pri tem pa postavila vlogo objekta na mesto decentraliziranega elementa, ki gradi podobo. Posvetila se bom ozadju produkcije vsebine in njenemu zrcaljenju skozi določene projekte. O razstavi bom govorila z vidika sistemizacije ali grajenja sistema, ki vzpostavlja določeno vedenje elementov vpetih vanjo. Ključen element postane nadzor in/ali njegova izguba.

Language:Slovenian
Keywords:slikarstvo, razstava, rekvizit, sistem, avtonomija, nadzor, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2024
PID:20.500.12556/RUL-162571 This link opens in a new window
Publication date in RUL:25.09.2024
Views:146
Downloads:50
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Secondary language

Language:English
Title:The edge that revolted against the centre / The Mad Lab
Abstract:
The starting point of the thesis focuses on understanding the relationship between an object and its placement within an exhibition. The act of placement encourages modifications of the introduced elements and consequently raises new questions. In my writing, I will draw on key concepts: exhibition, prop, system, autonomy, control, and try to position them within my own practice. I will approach the exhibition medium from the perspective of a total installation, focusing on its reversible relationship with the object. I will take into account the presence of the viewer, time, space, and variability, while placing the object as a decentralized element that constructs the image. I will focus on the background of content production and the narrative that mirrors through a specific project during the placement process. I will discuss the exhibition and projects from the perspective of systematization or system-building that justifies and establishes such behaviour. A key element becomes control and/or its loss.

Keywords:painting, exhibition, prop, system, autonomy, control, MA thesis

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