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Zvok je (ne)viden / Zvok je (ne)viden
ID Karlin, Ana (Author), ID Berlot Pompe, Uršula (Mentor) More about this mentor... This link opens in a new window, ID Stupica, Matej (Mentor) More about this mentor... This link opens in a new window, ID Sedlaček, Sašo (Comentor)

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Abstract
Namen magistrske naloge je raziskati vpliv oz. povezavo med zvokom in premikajočo risbo ali animacijo. Ker je zvok materialno neviden, hkrati pa izjemno emocionalen, si zastavljam vprašanje, ali ga lahko v animaciji uporabimo kot dodaten likovni element, ki vpliva na našo senzacijo videnega. Raziskala bom, kako zvok vpliva na premikajočo se risbo in do kolikšne mere lahko v naši percepciji ustvari ali skrije informacije ter hkrati obratno – kako vizualno vpliva na percepcijo zvoka. Raziskala bom povezave med zvočnim in vidnim skozi umetniške in oblikovalske projekte ter analizirala primere dobre prakse. Prav tako bom raziskala, kako kombinacija teh dveh čutov vpliva na našo percepcijo avdiovizualnega dela. V praktičnem delu bom tematiko raziskovala s kombiniranjem in interakcijo vizualnega in zvočnega. S tem bom poskusila iskati nove vsebine, situacije ali naracijo, iz katerih nastane končni izdelek.

Language:Slovenian
Keywords:vizualne komunikacije animacija zvok oblikovanje zvoka psihoakustika sinestezija liminalnost animirani zvok vizualna glasba magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2024
PID:20.500.12556/RUL-162480 This link opens in a new window
Publication date in RUL:24.09.2024
Views:128
Downloads:41
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Secondary language

Language:English
Title:Sound is (in)visible / Sound is (in)visible
Abstract:
The aim of this master's thesis is to explore the connection between sound and moving illustration or animation. Sound, though materially invisible, is profoundly emotional, raising the question of whether it can be used in animation as an additional visual element influencing our perception. I will investigate how sound affects moving drawings and to what extent it can create or obscure information in our perception. Conversely, I will examine how visual elements affect the perception of sound. This research will delve into the connections between auditory and visual components through artistic projects, analyzing best practices. Additionally, I will explore how combining these senses impacts our perception of audiovisual works. The practical part will involve combining visual and auditory elements to discover new content, situations, or narratives, culminating in a final product.

Keywords:visual communication animation sound sound design psychoacoustics synesthesia liminality animated sound visual music MA thesis

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