In my thesis I discuss the partisan drama of Matej Bor. The aim of the thesis was to investigate how many partisan agitprops Bor wrote and what are the differences and similarities between them. In the first part of the thesis, I establish that Bor was active among the partisans, where he established himself primarily as a poet and playwright. Agitprops were popular among the partisans, the main idea of which was agitation. The most important theatre was the Slovene National Theatre, which was established in the liberated territory of Črnomelj. In the second part, I will undertake a concrete analysis of Bor's partisan works. The analysis covers four agitations, namely Gospod Lisjak , Ječa se je odprla, Težka ura and Raztrganci. I found that none of them features all seven of the permanent types. In all the stories, the greatest emphasis is on agitation, with love themes in Raztrganci and Ječi, and national and family themes in Težka ura. The war conflicts are presented indirectly, the persons are schematically depicted and for most of them we know immediately which side they belong to. The occupiers are not physically present in the dramas, only in Raztrganci do they appear briefly at the end, but they do not play a significant role and do not influence the course of events, as they are soon killed or captured. In the end, the ideas of the NOB always win out, and in all the agitations the place and time of the action are clearly defined
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