In my thesis, I explore a possible theoretical framework in relation to the artistic practice
developed during my third year of studies. The presented practice includes paintings, installation,
and performance, focusing on the relationship between humans, the animal, and sensation. I am
interested in the various ways ideas are formed and transformed according to the chosen medium
of realization. In doing so, I primarily draw on the philosophical theories of Gilles Deleuze and
Félix Guattari, as well as Jacques Rancière and Giorgio Agamben. The title Where Does the Body
End? primarily refers to the fundamental question of the separation of the human from the other.
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