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Podzemni teater: kulturološki vidiki klubske kulture kot glasbenega gledališča : magistrsko delo
ID Topolovec, Jera (Author), ID Komel, Mirt (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo se ukvarja s klubsko kulturo kot glasbenim gledališčem v povezavi z razvojem koncepta skupnosti – politične, estetske in neoplemenske –, ki jo preko performiranja estetskega izkustva z aktivno udeležbo v dani situaciji umešča v okvir začasnosti, minljivosti. Skupnost razlaga skozi ključne vidike emocionalnega angažmaja, tj. čustvovanja in afektivnosti pripadajočih subjektov, pri čemer kot element vzbujanja tovrstnih čutnih stanj izpostavlja glasbo, predvsem glasbeni koncept repetitivnosti. V samem osrčju gledališkega izkustva namreč leži ideja ritualnosti in ponovljivosti, ki tvori osrednji element začasne estetske skupnosti, v kateri se stikata gledališko in klubsko okolje. Naloga torej metodično preučuje področja sodobnih umetniških in filozofskih praks, in sicer s pomočjo analize primarnih in sekundarnih virov, ki se ukvarjajo pretežno z raziskovanjem vloge občinstva v uprizoritvenih umetnostih, pa tudi vloge uprizoritvenih elementov. Tako se oblikuje ideja podzemnega teatra, ki jo naloga konceptualno razvija skozi vse omenjene vidike.

Language:Slovenian
Keywords:skupnost, estetsko izkustvo, emocionalni angažma, izkustvo, afekt, repetitivnost, performativnost, dogodkovnost, gledališče, glasba
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FDV - Faculty of Social Sciences
Place of publishing:Ljubljana
Publisher:J. Topolovec
Year:2024
Number of pages:1 spletni vir (1 datoteka PDF (124 str.))
PID:20.500.12556/RUL-160838 This link opens in a new window
UDC:316.74:7(043.2)
COBISS.SI-ID:207326723 This link opens in a new window
Publication date in RUL:05.09.2024
Views:191
Downloads:29
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Secondary language

Language:English
Title:Underground theatre: cultural aspects of club culture as musical theatre
Abstract:
The master's thesis addresses the concept of club culture as musical theatre in relation to the development of the concept of community - more specifically political, aesthetic and neo-tribal - which, through the performance of aesthetic experience through active participation in a given situation, locates it in the framework of temporality, transience. Community is explained through key aspects of emotional engagement, i.e. the emotiveness and affectivity of the subjects involved, highlighting music as an element of stimulating such sensual states, especially through the concept of repetitiveness. At the very heart of the theatrical experience lies the idea of ritual and repetitiveness, which forms an essential element of the temporary aesthetic community in which the theatrical and club environment intersect. The thesis thus methodically examines areas of contemporary artistic and philosophical practice through the analysis of primary and secondary sources, which are predominantly concerned with exploring the role of audiences in the performing arts, as well as the role of performing elements. All this forms the idea of the »underground theatre«, which the thesis conceptually develops through all these aspects.

Keywords:community, aesthetic experience, emotional engagement, experience, affect repetitiveness, performativity, event, theatre, music

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