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Kitajski tradicionalni oblačilni videz hanfu/hanyuansu – revitalizacija pretekle oblačilne kulture
ID Steinbacher, Ana (Author), ID Muršič, Rajko (Mentor) More about this mentor... This link opens in a new window, ID Veselič, Maja (Comentor)

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Abstract
Oblačilna kultura je pomemben del človeške kulture, ki odseva njegovo civilizacijo. Je kazalec identitete posameznika ter oblikuje osebno modno identiteto. Oblačilni videz ni statičen in se skozi čas spreminja, se ciklično vrača ter preoblikuje skozi oblačilne trende. Njegovo vračanje v nekaterih primerih pogojujejo modna industrija, estetičnost in estetske izkušnje, folklorizem ter sporočilnosti oblačilnega videza. V sodobnem evrocentričnem svetu so nam najbližje revitalizacija srednjeveštva, predvsem pripovedi o kralju Arthurju, kot tudi oblačilni videzi, ki izhajajo iz drugih obdobij, vendar v spremenjeni obliki, kot so na primer smeri podeželanskega videza (cottagecore), akademijskih slogov, pa videzov iz edvardijanske ali viktorijanske dobe; v modi so tudi avstrijska nacionalna oblačila (tradicionalna in modernizirana) in druga. Hanfu je najnovejši oziroma najjasnejši fenomen vračanja oziroma revitalizacije zgodovinskega kitajskega oblačilnega videza (povezan je tudi s hanfujskim gibanjem), katerega povratek izhaja iz več različnih dejavnikov. Najmočnejši vodnik za njegovo vrnitev sta estetska izkušnja in estetiziranje oblačilnega videza.

Language:Slovenian
Keywords:Kulturna antropologija, oblačilna kultura, revitalizacija, oblačilni videz, folklorizem, Kitajska, Hani, hanfu
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2024
PID:20.500.12556/RUL-159943 This link opens in a new window
Publication date in RUL:01.08.2024
Views:238
Downloads:25
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Secondary language

Language:English
Title:Chinese tradicional clothing hanfu/hanyuansu – revitalisation of historical clothing culture
Abstract:
Clothing culture is an important part of human culture, expressing character of human civilization. It is an indicator of an individual's identity and shapes a personal fashion identity. The fashion identity is not static; it changes over time, returns cyclically and is transformed through clothing/fashion trends. Its return is in some cases due to the fashion industry, aestheticism and aesthetic experience, folklorism and messages that fashion image represents. In the Eurocentric world, the closest clothing ideas relate to the revitalization of the Middle Ages’ clothing, especially Arthurianism, as well as clothing that derives from other periods, and are now present in modified forms, such as cottagecore, academia, Edwardian core, Victorian core or even Austrian national clothing (traditional and modernized) and others. Hanfu is the latest or the clearest phenomenon, in the process of the return or revitalization of historical Chinese clothing appearance (also through the hanfu movement), the return of which is powered by several different factors. The strongest guide for its return is the aesthetic experience and the aestheticization of the clothing appearance.

Keywords:Cultural anthropology, clothing culture, revitalisation, fashion identity, folklorism, China, Han, hanfu

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