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Vpliv Hindemitha na Bernsteinovo Sonato za klarinet in klavir : magistrska naloga
ID Zver, Jan (Avtor), ID Zupan, Andrej (Mentor) Več o mentorju... Povezava se odpre v novem oknu

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Izvleček
Magistrska naloga obravnava Sonato za klarinet in klavir ameriškega skladatelja Leonarda Bernsteina, njen nastanek, vpliv in vsebino. Najprej so predstavljeni namen in razlogi za izbiro te tematike, nato pa se naloga osredotoča na Leonarda Bernsteina. V prvem delu je predstavljeno njegovo življenje, izobraževanje in ustvarjanje do nastanka sonate, ki je zanj predstavljala poseben mejnik, saj je bilo to njegovo prvo javno objavljeno delo. Predstavljeno je tudi njegovo povezovanje z drugimi skladatelji ter vpliv glasbenega festivala v Tanglewoodu kot stičišča skladateljev tistega časa. Sledi segment, v katerem je predstavljeno glasbeno ustvarjanje Paula Hindemitha v času, ko je deloval v Združenih državah Amerike, njegova Sonata za klarinet in klavir ter vpliv njegove glasbe in dela na Bernsteina, ki mu je celo posvetil celotno televizijsko oddajo. Sledi podrobnejša predstavitev Bernsteinove Sonate za klarinet in klavir, ki zajema podatke o tem, kako in kje je nastala, kdo in kje jo je premierno izvedel in kdo jo je izdal. Ponazorjeni so razlogi za njen nastanek, vplivi na skladatelja ob pisanju kompozicije, zgradba sonate ter njen pomen in mesto v klarinetistični literaturi nekoč in danes. Naloga se nadaljuje s primerjavo prvega stavka sonate s prvim stavkom Sonate za klarinet in klavir skladatelja Paula Hindemitha. Primerjava je razdeljena na oblikovni in harmonski del, skozi oba pa je razvidno, da se med obema deloma pojavlja kar nekaj podobnosti. Ker sta si kompoziciji tako po zgradbi kakor tudi po zvenu zelo podobni, je bil namen magistrske naloge prav to, da se najde vplive in povezave med obema deloma in skladateljema. V sklepu je povzeta ugotovitev, da je Hindemith s svojim delom v Združenih državah Amerike, sodelovanjem na glasbenem festivalu v Tanglewoodu in s svojo glasbo vplival na Bernsteina. Čeprav nikakor ne moremo trditi, da je Bernstein v svoji sonati kopiral ali ponavljal, saj je bil pri pisanju svoje glasbe zelo originalen in inovativen, se vseeno opazijo vzorci, ki predstavljajo slog in glasbeno mentaliteto obeh skladateljev v tistem obdobju.

Jezik:Slovenski jezik
Ključne besede:glasbene analize, Sonata for clarinet and piano, klarinet, sonate, vplivi, primerjave, magistrske naloge
Vrsta gradiva:Magistrsko delo/naloga
Tipologija:2.09 - Magistrsko delo
Organizacija:AG - Akademija za glasbo
Kraj izida:Ljubljana
Založnik:J. Zver
Leto izida:2024
Št. strani:23 str.
PID:20.500.12556/RUL-158999 Povezava se odpre v novem oknu
UDK:780.643.1:78.082.2Bernstein L.
COBISS.SI-ID:199776259 Povezava se odpre v novem oknu
Datum objave v RUL:27.06.2024
Število ogledov:246
Število prenosov:28
Metapodatki:XML DC-XML DC-RDF
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:Influence of Hindemith on Bernstein's Sonata for clarinet and piano
Izvleček:
The master's thesis focuses on the Sonata for Clarinet and Piano by the American composer Leonard Bernstein, its creation, influence, and content. Initially, the purpose and reasons for choosing this topic are presented, followed by a focus on Leonard Bernstein. The thesis explores his life, education, and creative work up to the creation of the sonata, which represented a special milestone for him as it was his first publicly published work. It also investigates his association with other composers and the influence of the Tanglewood Music Festival, known as a meeting point for composers of that time. The next segment presents the musical creations of Paul Hindemith during his time in the United States of America, his Sonata for Clarinet and Piano, and the influence of his music and work on Bernstein, who even dedicated an entire television show to him. This is followed by a more detailed presentation of Bernstein's Sonata for Clarinet and Piano, starting with how and where it was created, who premiered it and where, and who published it. The thesis also delves into the reasons for its creation, the influences on the composer while writing the composition, the structure of the sonata, and its significance and place in clarinet literature, both then and now. It includes a comparison of the first movement of Bernstein's sonata with the first movement of Paul Hindemith's Sonata for Clarinet and Piano. The comparison focuses on the form and harmony, and it is evident through both that there are quite a few similarities between the two works. Since the compositions are very similar in structure and sound, the purpose of the master's thesis was predominantly to find influences and connections between the two works and composers. In conclusion, the thesis assumes that Hindemith, with his work in the United States of America, his participation in the Tanglewood Music Festival, and his music, influenced Bernstein. Although we certainly cannot claim that Bernstein copied or reproduced in his sonata, as he was very original and innovative in his musical creation, patterns are still observed that represent the style and musical mentality of both composers at that time.

Ključne besede:music analysis, Sonata for clarinet and piano, sonatas, influence, clarinet, musical structure, comparison, master's theses

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