Vidiki součinkovanja liturgične glasbe in krščanskega sakralnega prostora

Haule Feguš, Urška (author), Debevec, Leon (mentor)

Arheoakustika je sodobna interdisciplinarna veda, ki zdruzˇuje arheologijo, muzikologijo, akustiko in digitalno modeliranje ter je lahko v pomocˇ pri raziskovanju soucˇinkovanja glasbe in arhitekture v krsˇcˇanskem prostoru. Raziskave kaz˙ejo, da so se skozi razlicˇna cˇasovna obdobja uveljavile razlicˇne akusticˇne znacˇilnosti sakralnih prostorov, kar je lahko vodilo do svojevrstnega razvoja v zgodovini cerkvene glasbe in sakralnega arhitekturnega oblikovanja. Glasbene oblike, kot so gregorijanski koral, polifonija, polikoralnost, cori spezzati, so se razvile in nasˇle svojo pot v sakralnem prostoru. Arhitekturne zasnove romanskih, gotskih, barocˇnih cerkva, ki jih pogosto spremljajo sˇtimance, na razlicˇne nacˇine podpirajo razlicˇne glasbene oblike. Liturgija povezuje sakralno glasbo in arhitekturo zato so razlicˇni dogodki v zgodovini liturgije pomembno vplivali na obe podrocˇji. Od samega zacˇetka krsˇcˇanstva je bila cerkev prostor za zbiranje vernikov, za opazovanje obreda in za poslusˇanje Bozˇje besede ter ustrezne glasbe. Drugi del naloge vkljucˇuje arheoakusticˇno analizo gotske cerkve Sv Trojice v Pleterjah, da bi s podobno metodo dolocˇili akusticˇne lastnosti drugih sakralnih prostorov v Sloveniji, sˇe posebej tistih, ki niso ohranjeni v celoti. Kartuzijanski red je zanimiv z akusticˇnega vidika, ker se zdi, da so njihovi samostani arhitekturno zasnovani za daljsˇi odmevni cˇas, kar je ustrezno za petje gregorijanskega korala. V Pleterjah je edina sˇe delujocˇa kartuzija v Sloveniji in vkljucˇuje cerkev, ki se je ohranila iz obdobja gotike.

• Language: Slovenian
• Keywords: arheoakustika, akustična dediščina, church acoustics, akustična simulacija, interdisciplinarno izobraževanje, gotska cerkev Pleterje, odmevni čas, starocerkvena glasba
• Work type: Master's thesis/paper
• Organization: TEOF - Theological Faculty
• Year: 2024
• PID: 20.500.12556/RUL-158839
• Publication date in RUL: 21.06.2024

Secondary language

• Language: English
• Title: The Interdependency of Liturgical Music and Architectural Sacred Space in Christianity

Abstract

The main goal of the work is to identify the main interdependency of liturgical music and architectural sacred space in christianity and the importance of archaeoacoustics in this process. There are acoustical characteristics that are present in catholic churches through different time periods. Architectural features relate or interact with the acoustical behavior of the space which led to a specific path in the history of church music and architectural design. Music forms such as Gregorian chant, poliphony, policorality, cori spezzati evolved and found its way in sacred space. Architectural design of romanesque, gothic, baroque churches support different styles in a different way and are often accompanied by acoustic resonant vases. Sacred liturgy connects sacred music and architecture. Therefore different events in the history of liturgy had an important impact on both. From the very beginning of Christianity the church was a place for the gathering of the faithful, to witness a ritual, and also to hear the word of God. Accompanying music was attuned to the sacred space. The second part of the study includes archeo-acoustic analysis of the Gothic Church Charterhouse in Pleterje to show how acoustic simulations could be used to find the impulse response of other churches. Chartusian order is of a particular acoustic interest because the architectural structures seem to be designed for longer reverberation times in order to reinforce Gregorian chants. Charterhouse in Pleterje is the only one in Slovenia that remains a Carthusian monastery to this day and includes the Gothic church which survives from the Gothic period.

• Keywords: archeoacustics, acoustic heritage, church acoustics, acoustic simulation, Gothic church Pleterje, global education, reveberation, sacred classical music