In the thesis, we will focus on the interpretation of Inferno, a part of the
Divine Comedy by the Italian poet Dante Alighieri, in the Slovenian translation
by Andrej Capuder. We will examine the roles of the editor, designer,
and printer, thus concentrating on researching the interconnection
of these roles and the consequences and contributions of the designer's
involvement in all the listed roles necessary for the execution of the book.
The outcome of the thesis will be two copies of the interpretation of
Inferno, one of which will be printed using an experimental dry printing
technique with pigments.
By incorporating creativity throughout the entire process and execution
of the interpretation, we will innovatively transfer the original material,
created in the 14th century, into a modern context. This will be achieved,
among other things, by adapting printing processes specifically for the
purpose of completing the thesis.
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