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Od drame do ustvarjalne igre in nazaj : interaktivni pristop k obravnavi dramatike in uprizoritvenih dejavnosti v kontekstu ustvarjalno-izobraževalnih procesov
ID Schuller, Aleksandra (Author)

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Abstract
Prispevek predstavi dva pristopa k študijski obravnavi dramatike in gledališča (oz. uprizoritvenih umetnosti nasploh): prvi, na različnih ravneh slovenskega izobraževalnega sistema najpogostejši, dramo in gledališče obravnava v okviru študija književnosti. Ta tip analize se osredotoča predvsem na dramski tekst, z njegovo potencialno uprizoritvijo se ukvarja sekundarno; ker izhaja iz raziskovanja relacije tekst-uprizoritev, je njegova pozornost usmerjena predvsem na dramsko gledališče. Drugi pristop pa obravnava gledališče in dramatiko v okviru uprizoritvenih študijev: igro raziskuje kot element kulture, (samo)uprizarjanje pa kot komunikacijsko strategijo na različnih ravneh vsakdanjega življenja. V interdisciplinarni perspektivi (teorija drame in gledališča, antropologija, sociologija, psihologija ustvarjalnosti, umetnostne terapije) raziskuje uprizoritvene umetnosti kot specifičen modus uprizarjanja v kulturi.

Language:Slovenian
Keywords:drama, uprizoritev, igra, ustvarjalnost, izobraževanje
Typology:1.08 - Published Scientific Conference Contribution
Organization:FF - Faculty of Arts
Year:2008
Number of pages:Str. 159-165
PID:20.500.12556/RUL-154530 This link opens in a new window
UDC:378.147:82-2:792
COBISS.SI-ID:512438656 This link opens in a new window
Publication date in RUL:20.02.2024
Views:478
Downloads:33
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Record is a part of a monograph

Title:Književnost v izobraževanju - cilji, vsebine, metode
Editors:Boža Krakar-Vogel
Place of publishing:Ljubljana
Publisher:Filozofska fakulteta, Oddelek za slovenistiko, Center za slovenščino kot drugi/tuji jezik
Year:2008
ISBN:978-961-237-263-7
COBISS.SI-ID:242242304 This link opens in a new window
Collection title:Obdobja
Collection numbering:25
Collection ISSN:1408-211X

Secondary language

Language:English
Abstract:
The paper outlines two different approaches to the study of drama and theatre (i.e. of performing arts in general): the first, which is also the most widely used at different levels of the Slovene education system, studies drama and theatre in the context of literature. This type of analysis concentrates chiefly on the dramatic text and gives only secondary importance to its potential staging. Furthermore, since it explores mainly the relation between text and performance, it focuses primarily on dramatic theatre. The second approach analyses drama and theatre in the context of performance studies, seeing the play as an element of culture and (self-) performance, as a communication strategy that is present at different levels of everyday life. In its interdisciplinary perspective (drama and theatre theory, anthropology, sociology, psychology of creativity, arts therapies), it studies performing arts as a specific mode of performance in culture.

Keywords:drama, performance, play, creativity, education

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