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Skalarjev rokopis, 1643 : Meditativna proza v kontekstu katoliške obnove
ID Ogrin, Matija (Author)

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Abstract
Obsežen rokopis Adama Skalarja, ki je nastal okrog leta 1643, je prinesel v slovensko slovstvo 17. stol. več vsebinskih in oblikovnih novosti. Razprava obravnava dve krajši besedili s konca kodeksa, s katerima je Skalar uvedel v slovensko slovstvo 17. stol. novo literarno zvrst - meditativno prozo. Spis Vsakdanie spomishlane vernih karshanskich dushiz je v slovensko literaturo kot prvi prinesel renesančno temo o dostojanstvu človekove narave, ki je utemeljena v združitvi človeške in božanske narave v Kristusu. Miselnost teksta izhaja iz krščanskega duhovnega izročila, toda perspektiva - dignitas homini - je renesančna. Besedilo je morda Skalarjevo, toda vprašanje o avtorstvu ostaja odprto. Besedilo Vselai inu nikoli, to ie vezhnost je izvirno delo Adama Skalarja. Je za slovensko slovstvo nov pojav: asketična meditacija o misteriju pogubljenja. Prinaša mistične teme in vizije, podane s slikovitimi podobami in barvitim literarnim slogom. Vodilne misli so izražene s prispodobami, eksempli in vložnimi pripovedmi. V obeh literarnih meditacijah nastopa toliko novih tem in močnih čustvenih elementov, da forma teološke razprave, znana že v slovenskem slovstvu 16. stol., zanje ni bila večprimerna. Da jih je Adam Skalar lahko izrazil, je moral ustvariti tudi novo obliko - in ustvaril je prvo slovensko meditativno prozo.

Language:Slovenian
Keywords:rokopisi, protestantski pisci, slovenska književnost, barok, Skalarjev rokopis, meditativna proza, 17. st., Adam Skalar
Work type:Article
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:FF - Faculty of Arts
Year:2010
Number of pages:Str. 129-146
PID:20.500.12556/RUL-152790 This link opens in a new window
UDC:821.163.6-97.09Skalar A.:27-29"16"
COBISS.SI-ID:31917613 This link opens in a new window
Publication date in RUL:07.12.2023
Views:356
Downloads:39
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Record is a part of a monograph

Title:Reformacija na Slovenskem : (ob 500-letnici Trubarjevega rojstva)
Editors:Aleksander Bjelčevič
Place of publishing:Ljubljana
Publisher:Znanstvena založba Filozofske fakultete
Year:2010
ISBN:978-961-237-380-1
COBISS.SI-ID:252810496 This link opens in a new window
Collection title:Obdobja
Collection numbering:27

Secondary language

Language:English
Abstract:
The extensive manuscript by Adam Skalar written around 1643 introduced several new conceptual and formal elements to the seventeenth-century Slovenianliterature. This paper discusses two short texts from the concluding part of the codex, through which Skalar introduced a new literary genre to seventeenth-century Slovenian literature: meditative prose. The essay Vsakdanie spomishlane vernih karshanskich dushiz (Everyday Reflections of Devout Christian Souls) was the first to acquaint Slovenian literature with the Renaissance topic of the dignity of human nature justified in the union of the human and divine nature in Jesus Christ. The mentality behind this text originates from the Christian spiritual tradition, although its perspective (i.e., dignitas homini 'the dignity of man') is typical of the Renaissance. The author may be Skalar himself, but this remains questionable. The text Vselai inu nikoli, to ie vezhnost (Always and Never: That Is Eternity) is an original work by Adam Skalar. It introduces a new phenomenon to Slovenian literature: ascetic meditation on the mystery of doom. It contains mystical topics and visions presented through picturesque imagery and a colorful literary style. The leading ideas are expressed through metaphors, examples, and inserted narratives. Both literary meditations include an abundance of new topics and strong emotional elements, such that the form of theological discussion used in sixteenth-century Slovenian literature was no longer appropriate for them. In order to express these elements, Skalar had to create a new form: the first example of Slovenian meditative prose.

Keywords:manuscripts, Protestant writers, Slovene literature, Baroque, meditative prose, 17th cent., Adam Skalar

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