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Učenje vsebin spoznavanja okolja preko ustvarjalnega giba v 1. razredu osnovne šole : magistrsko delo
ID Svetina, Ula (Author), ID Geršak, Vesna (Mentor) More about this mentor... This link opens in a new window

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Abstract
Namen pričujočega magistrskega dela je bil ugotoviti, ali poučevanje z ustvarjalnim gibom vpliva na motivacijo, počutje, znanje in razumevanje učencev prvega razreda pri predmetu spoznavanje okolja ter ali se to odraža na njihovem znanju oziroma razumevanju učne snovi. Teoretični del zajema opis predmeta spoznavanje okolja, ciljev, vsebin in tematskih sklopov, ki jih pri predmetu obravnavamo. Najprej so predstavljeni različni pristopi poučevanja, kot sta tradicionalni učni pristop in konstruktivistični učni pristop. Nato sledi opis ustvarjalnega giba kot učnega pristopa, kjer so podane prednosti vključevanja ustvarjalnega giba v pouk ter pomen ustvarjalnosti in gibanja v izobraževanju. V nadaljevanju je opisana vloga učitelja pri vključevanju ustvarjalnega giba v pouk. V empiričnem delu magistrskega dela je podana raziskava, ki sem jo izvedla pri predmetu spoznavanje okolja v dveh prvih razredih osnovne šole. V vsakem razredu je v raziskavi sodelovalo po 14 učencev. Raziskava je potekala tako, da pri eni skupini učencev nisem uporabljala ustvarjalnega giba med poukom, kar pomeni, da je šlo večinoma za frontalno obliko poučevanja. Pri drugi skupini pa sem pri poučevanju uporabljala ustvarjalni gib. Na tak način sem v vsakem razredu izvedla pet učnih ur, s pomočjo opazovalnih obrazcev pa sem si sproti beležila opažanja o motivaciji učencev. Počutje učencev sem preverjala s petstopenjsko lestvico, znanje pa sem ocenjevala s preverjanjem znanja pred vsako učno uro in po njej. Vse učne ure sem na koncu tudi analizirala. Raziskava je pokazala, da med učenci eksperimentalne skupine, pri kateri sem uporabljala ustvarjalni gib, ter učenci kontrolne skupine, pri kateri ustvarjalnega giba nisem uporabljala, po učnih urah ni bilo statistično značilnih razlik v znanju, vendar pa je bil napredek v znanju eksperimentalne skupine v povprečju malo večji od kontrolne skupine. Ustvarjalni gib je pozitivno vplival na motivacijo učencev v eksperimentalni skupini. Motivacija v tej skupini se je namreč iz ure v uro višala, v kontrolni skupini pa nižala. S tem so se razlike v motivaciji med skupinama večale. Pri četrti in peti učni uri so se tako pojavljale statistično značilne razlike v motivaciji. S tem sem dokazala pozitiven vpliv ustvarjalnega giba na motivacijo. Raziskava pri večini učnih ur ni pokazala statistično značilnih razlik v počutju med skupinama. Kljub temu se je počutje učencev eksperimentalne skupine iz ure v uro izboljševalo. Razlike med skupinama so postajale večje. Statistično pomembne razlike so se pojavile pri zadnji učni uri. Ugotovitve so pokazale, da se pri poučevanju z ustvarjalnim gibom več učnih ur zapored tudi počutje v razredu iz ure v uro izboljšuje.

Language:Slovenian
Keywords:spoznavanje okolja, ustvarjalni gib, učenci prvega razreda, ustvarjalno-gibalne dejavnosti, celostno učenje
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Place of publishing:Ljubljana
Publisher:U. Svetina
Year:2023
Number of pages:1 spletni vir (1 datoteka PDF (100 str.))
PID:20.500.12556/RUL-151451 This link opens in a new window
UDC:373.3.046-021.64 (043.2)
DOI:20.500.12556/RUL-151451 This link opens in a new window
COBISS.SI-ID:167462147 This link opens in a new window
Publication date in RUL:06.10.2023
Views:1028
Downloads:81
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Secondary language

Language:English
Title:Science Learning through Creative Movement in Grade 1 of Primary School
Abstract:
This master’s thesis determines whether teaching with creative movement in the first grade during science lessons affects students' motivation and well-being, as well as their knowledge and understanding of the subject matter. The theoretical part includes a description of the science subject, its objectives, content, and thematic units covered within the subject. Various teaching approaches are presented, such as the traditional teaching approach and the constructivist teaching approach. It also introduces creative movement as a teaching approach, the advantages of incorporating creative movement in class, and the significance of creativity and movement in education. Furthermore, the role of the teacher when integrating creative movement into class is also described. The empirical part of this thesis presents a study conducted in two first-grade classes in an elementary school within the school subject of science. Each class had 14 participating students in the study. The study was carried out in such a way that one group of students was taught without using creative movement, primarily employing a frontal teaching method. The other group was taught using creative movement. In this manner, five lessons were conducted in each class. Students' motivation was documented using observational forms. The well-being in the classroom was assessed using a five-point scale. The knowledge of students in both groups was evaluated with knowledge assessment forms before and after lessons. All lessons were analysed at the conclusion of the study. The research findings indicated that there were no statistically significant differences in knowledge between the experimental group of students and the control group. Nevertheless, the progress in knowledge within the experimental group was slightly greater on average than that in the control group. Creative movement positively influenced the motivation of students in the experimental group. The motivation in this group increased from hour to hour, whereas it decreased in the control group. This led to increasing differences in motivation between the groups. Statistically significant differences in motivation were observed during the fourth and fifth lessons, thus proving the positive impact of creative movement on motivation. The study did not show statistically significant differences in well-being between the two groups for most lessons, but the experimental group's well-being improved from one lesson to the next. Statistically significant differences emerged in the last lesson, indicating that when teaching with creative movement for several lessons in a row, well-being in the classroom also improves.

Keywords:science, creative movement, first-grade students, creative movement activities, holistic learning

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