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Predlog za konserviranje-restavriranje slike Riharda Jakopiča Počitek
ID Štorgel, Sara (Author)

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Abstract
Magistrska naloga predstavlja konservatorsko-restavratorski predlog za poseg na sliki Riharda Jakopiča z naslovom Počitek. Delo je bilo ustvarjeno z oljnimi barvami na konopljinem platnu brez podloge. Uvodni del obravnava konservatorsko-restavratorske vsebine s poudarkom na etiki, rekonstrukciji in kopistiki. Sledi nekaj besed o avtorju obravnavane slike, o načinu slikanja in motivu. Praktični del naloge je osnovan na enajstih tehnoloških študijah, med katerimi je ena v velikosti originala, ostale pa manjši detajli. Z njimi smo prikazali tehnologijo nastajanja slike, preizkušali materiale in izvedli predloge za konservatorsko restavratorski poseg na izvirniku. Izvedeni sta bili analiza vlakna nosilca in analiza veziva barvne plasti originalne slike ter preučena pospešena razgradnja materialov za dopolnjevanje barvnih plasti na enem od detajlov. Izziv sta predstavljali utrjevanje in dopolnjevanje vrzeli na sliki na območju, kjer platno ni prekrito z barvo - bodisi zaradi umetnikove namere bodisi zaradi poškodbe in odpadle barvne plasti. S pomočjo študij smo predlagali možnosti konserviranja in restavriranja, hkrati pa smo nazorno predstavili delček kulturne dediščine in pomen njenega ohranjanja za širšo javnost.

Language:Slovenian
Keywords:konservatorstvo-restavratorstvo, impresionizem, Rihard Jakopič, olje na platnu, umetnikova namera, odpadla barvna plast, tehnološke študije, kulturna dediščina, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2023
PID:20.500.12556/RUL-151284 This link opens in a new window
Publication date in RUL:03.10.2023
Views:1229
Downloads:99
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Secondary language

Language:English
Title:Proposal for conservation-restoration of Rihard Jakopič's painting Počitek
Abstract:
The master's thesis presents a conservation-restoration proposal for the intervention on the painting Počitek by Rihard Jakopič. The artwork was created using oil paints on hemp canvas without a ground layer. The introductory part discusses conservation-restoration topics with an emphasis on ethics, reconstruction, and copying. This is followed by some insights into the artist behind the artwork, the painting technique, and the motif. The practical part of the thesis is based on eleven technological studies, including one at the original size and the others as smaller details. With them, we demonstrated the technology of the artwork's creation, tested materials, and proposed conservation-restoration interventions for the original. Analyses of the fibre of the support and the binder of the original painting's paint layer were performed in addition, to studying the degradation of materials for the filling of colour layers on one of the details. The challenge lay in the consolidation and the filling of gaps in the painting, where the canvas was not covered with paint, either due to the artist's intention or because of damage and missing paint layers. With the help of studies, we proposed possibilities for conservation and restoration, while vividly presenting a cultural heritage fragment and its preservation significance to the wider public.

Keywords:conservation-restoration, Impressionism, Rihard Jakopič, oil on canvas, artists intention, flacked paint layer, technological studies, cultural heritage, MA thesis

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