Stanko Vurnik kot umetnostni zgodovinar

Mali, Matej (author), Klemenčič, Matej (mentor)

Stanko Vurnik (rojen leta 1898) je bil slovenski umetnostni zgodovinar, etnolog in muzikolog v obdobju med obema vojnama. Zaključna seminarska naloga se poskuša ozreti na Vurnikovo umetnostnozgodovinsko delovanje, ki znotraj umetnostnozgodovinske discipline pravzaprav še ni bilo bolj celostno naglašeno. Po začetni biografski analizi njegovega dela in življenja se zapis posveti Vurnikovemu razumevanju umetnostnega sistema ter s tem odpre polje za razmislek o njegovi vrednotni identiteti. Naloga se v nadaljevanju, svoji srži, poskuša spoprijeti z Vurnikovim strogo umetnostnozgodovinskim delom preko analize njegovega znanstveno-raziskovalnega ter bolj poljudno-aplikativnega delovanja. Preizpraševana sta tudi Vurnikova umetnostnozgodovinska izobrazba pod Izidorjem Cankarjem in vpliv te na njegovo znanstveno in neznanstveno delovanje znotraj ter izven meja dotične discipline. V oziru na slednje se zapis zaključuje s kratkim ekskurzom po Vurnikovem etnološkem delu z očišča Vurnika kot nosilca in uporabnika umetnostnozgodovinskega znanja ter umetnostnozgodovinske metodologije.

• Language: Slovenian
• Keywords: Stanko Vurnik, umetnostni zgodovinar, 20. leta 20. stoletja, dunajska umetnostnozgodovinska šola, začetki etnologije na Slovenskem, biografska obdelava
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2023
• PID: 20.500.12556/RUL-149832
• COBISS.SI-ID: 165112579
• Publication date in RUL: 11.09.2023

Secondary language

• Language: English
• Title: Stanko Vurnik as an art historian

Abstract

Stanko Vurnik (born 1898) was a slovene art historian, ethnologist, and musicologist during the interwar period. The final seminar paper focuses on trying to decipher Vurnik's work in relation to the field of art history, which has previously not been fully highlighted in the realm of the relevant discipline. After the initial biographical exploration of Vurnik's life and work, the paper offers an inside look into his understanding of the art system, through which it also aims to take a look at Vurnik's own values. At its core, the paper tries to analyze the purely art-historical work of Stanko Vurnik, whether it be through reflecting on his scientific research contributions to the field or his applied use of the knowledge the discipline holds and its methodology. The paper also looks at his education in the field of art history under Izidor Cankar and highlights the importance of it, as it pertains to his scientific and non-scientific work inside as well as outside the discipline. The study is therefore concluded by taking a look at Vurnik's ethnological work in its relation to the field of art history and its then methodology.

• Keywords: Stanko Vurnik, art historian, the third decade of the 20th century, Vienna school of art history, early slovene ethnology, biographical research