The paper starts with the assumption that literary history and theory has begun to research beyond the medium of literature. It is clear that media mobility has become one of the most self-evident signs of any contemporary art (Terry Smith). This holds true also for contemporary Slovene playwrights: Dušan Jovanović, Matjaž Zupančič and Simona Semenič. Linking this state of art to the concept of altermodernism (Bourriaud), the article tries to find possible approaches to literature as intermedia and an interdependent universe that wants to gain its state of plurality.
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