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Paolo Giovio in njegova zbirka portretov znanih mož
ID Killer, Erna (Author), ID Mahnič, Katja (Mentor) More about this mentor... This link opens in a new window

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Abstract
Namen te zaključne seminarske naloge je predstaviti eno najbolj znanih imen v muzeologiji, Paola Giovia, natančneje njegove dejavnosti kot zbiratelja in humanista. Njegova zbirka portretov ob jezeru Como je bila prva zbirka, ki se je nahajala v ločeni stavbi, zgrajeni prav v ta namen, zaradi česar danes velja za prototip muzeja. Giovijevo delovanje časovno umeščamo v prvo polovico 16. stoletja, torej v obdobje renesanse, ki je prinesla popolnoma novo dojemanje umetnosti, znanja in kulture. Spremenila je način razmišljanja, najprej s ponovnim odkritjem klasične filozofije, literature in umetnosti, pa tudi z novimi odkritji na področju znanosti. Seveda se je začel spreminjati in razvijati tudi namen ne le posedovanja in razstavljanja zbirk, temveč tudi portretov samih. Giovio je postal precej pomembna osebnost za vse tiste, ki jih je zanimalo zbirateljstvo, zato je njegov muzej vzbudil veliko občudovanja in posnemanja. V drugi polovici naloge je opisanih in obravnavanih nekaj takšnih zbirk, ki pa izhajajo, kljub navdihu, ki so ga našle v Giovijevi, vseeno še iz nekaterih drugačnih zamisli, ter imajo drugačno strukturo in namen.

Language:Slovenian
Keywords:paolo giovio, muzeologija, muzej, renesansa, medici, portreti, portretne zbirke
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2023
PID:20.500.12556/RUL-148062 This link opens in a new window
COBISS.SI-ID:165285891 This link opens in a new window
Publication date in RUL:26.07.2023
Views:795
Downloads:48
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Secondary language

Language:English
Title:Paolo Giovio and his collection of portraits of famous men
Abstract:
This thesis, aims to discuss one of the most famous personalities in museology, Paolo Giovio. His collection of portraits at Lake Como, was the first collection to be housed at a seperate building, built for that exact purpose. Because of this, it is now widely considered to be a museum prototype. Created in the first half of the 16th century, it is perfectly placed into the Renaissance, which cultivated a new understanding of art, knowledge, and culture. It changed the way the people thought, with first the rediscovery of classical philosophy, literature, and art, as well as new discoveries in science. Of course, the purpose of not only owning and displaying collections, but also of portraits, was starting to change and evolve as well. Giovio became a rather important personality for all those who were interested in collecting, which is why his museum inspired much admiration and immitation. In the second half of the paper, a few of those inspired collections are described and discussed, with the intention of pointing out that, while inspired by Giovio, they nevertheless were based on different ideas and had different structures and purposes.

Keywords:paolo giovio, museology, museums, renaissance, medici, portraits, portrait collections

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