Gledališki govor kot jezikovna iluzija

Vitez, Primož (author)

Gledališki govor je umetnina, ki temelji na principih kompozicije: najbolj učinkovit in estetiziran je takrat, ko je vidno in implicitno najbolj odmaknjen od redundantnih struktur spontane komunikacijske vsakdanjosti. Če je gledališče umetniška zgostitev nefikcijske resničnosti, potem tudi odrski govor ne more biti zgolj posnemanje zunajgledališke jezikovne stvarnosti, temveč je njen destilat.

• Language: Slovenian
• Keywords: gledališče, gledališki govor, jezikovna norma, jezikovna redundanca, gledališka iluzija, umetnina
• Work type: Article
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: FF - Faculty of Arts
• Year: 2012
• Number of pages: Str. 353-358
• PID: 20.500.12556/RUL-147990
• UDC: 808.55:792
• COBISS.SI-ID: 50696802
• Publication date in RUL: 17.07.2023

Record is a part of a monograph

• Title: Slovenska dramatika
• Editors: Mateja Pezdirc-Bartol
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2012
• ISBN: 978-961-237-541-6
• COBISS.SI-ID: 263953152
• Collection title: Obdobja
• Collection numbering: 31
• Collection ISSN: 1408-211X

Secondary language

• Language: English

Abstract

Theatrical speech is an artefact based on the principles of composition: it is most efficient and aestheticised when visually and implicitly the most distant from the redundant structures of spontaneous daily communication. If theatre is a condensation of non-fictional reality, then theatrical speech does not simply emerge as mimicking the extra-theatrical linguistic reality, but as distilling it.

• Keywords: theatre, theatrical speech, linguistic norm, linguistic redundance, theatrical illusion, artefact