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Uvod v Kermaunerjevo umevanje slovenske dramatike
ID Svetina, Ivo (Author)

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Abstract
Taras Kermauner je v več kot štirih desetletjih raziskoval slovensko dramatiko. Pri tem je poskušal zapustiti uhojena pota tradicionalne univerzitetne znanosti (literarne zgodovine in teorije) in ustanoviti novo znanost, znanost Drugosti, ki je vse bolj preraščala v teologijo Drugega, saj se mu je identitetno mišljenje izkazalo za neustrezno pri raziskavi slovenske dramatike. Pri tem je uporabil sistem micelija, ki med seboj v vseh smereh povezuje posamezna dramska besedila. Tako je ustvaril svoj "čezčloveški" projekt Rekonstrukcija in/ali reinterpretacija slovenske dramatike.

Language:Slovenian
Keywords:slovenska književnost, slovenska dramatika, slovenska literarna veda, literarni zgodovinarji, drugost, micelij, struktura, mišljenje
Work type:Article
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:FF - Faculty of Arts
Year:2012
Number of pages:Str. 321-327
PID:20.500.12556/RUL-147986 This link opens in a new window
UDC:821.163.6.09-2:929Kermauner T.
COBISS.SI-ID:50699106 This link opens in a new window
Publication date in RUL:17.07.2023
Views:445
Downloads:10
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Record is a part of a monograph

Title:Slovenska dramatika
Editors:Mateja Pezdirc-Bartol
Place of publishing:Ljubljana
Publisher:Znanstvena založba Filozofske fakultete
Year:2012
ISBN:978-961-237-541-6
COBISS.SI-ID:263953152 This link opens in a new window
Collection title:Obdobja
Collection numbering:31
Collection ISSN:1408-211X

Secondary language

Language:English
Abstract:
Taras Kermauner was one of the most important Slovene literary theorists and philosophers of the second half of 20th Century. He first researched Slovene post-war avantgarde poetry, but later dedicated himself exclusively to Slovene dramatic texts. He wanted to establish a new form of university literary studies that would differ from the traditional (literary history and literary theory) by focusing on Otherness, because he was certain that identity thought was not appropriate to research into literary phenomena. Thus he elaborated his gigantic project Reconstruction and/or the reinterpretation of Slovene drama.

Keywords:drama, structure, thought, Otherness, mycelium

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