Simbolizem v Župančičevi drami Noč na verne duše

Jensterle-Doležal, Alenka (author)

V prispevku analiziramo prvo Župančičevo dramo Noč na verne duše (1904) v konteksu evropskega modernizma, predvsem v navezavi na Mauricea Maeterlincka. Enodejanka ima tipične simbolistične značilnosti: večpomenskost, simbole, ki izhajajo iz ljudskega imaginarija in mitologije, in kratko, koncentrirano dogajanje, v katerem se osebe približujejo iracionalnemu prostoru smrti. V slovenski tradiciji se Župančič navezuje na Trdinovo fantastiko, saj povezuje ljudske fantastične motive s krščansko eshatološko perspektivo. Kljub simboličnemu dogajanju je za igro značilna tudi socialna motivika, ki spominjana Finžgarjeve ljudske igre.

• Language: Slovenian
• Keywords: slovenska književnost, slovenska dramatika, moderna, simbolizem, slovanska dramatika, 20. st., dramsko delo Otona Župančiča
• Work type: Article
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: FF - Faculty of Arts
• Year: 2012
• Number of pages: Str. 111-118
• PID: 20.500.12556/RUL-147958
• UDC: 821.163.6.09-2Župančič O.:82.02"18/19"
• COBISS.SI-ID: 50883938
• Publication date in RUL: 17.07.2023

Record is a part of a monograph

• Title: Slovenska dramatika
• Editors: Mateja Pezdirc-Bartol
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2012
• ISBN: 978-961-237-541-6
• COBISS.SI-ID: 263953152
• Collection title: Obdobja
• Collection numbering: 31
• Collection ISSN: 1408-211X

Secondary language

• Language: English

Abstract

In this paper we analyse Noč na verne duše (Night of All Saints, 1904), the first play by the Slovene modernist Oton Župančič, in the context of European Modernism, in particular the influence of the symbolic plays of Maurice Maeterlinck. This one-act play has typical symbolist characteristics: polysemy, symbols taken from the folk imagination and mythology, and brief concentrated events in which the protagonists come close to the irrational space of death. In the Slovene tradition Župančič refers to the tales of Trdina, connecting folk fantasy themes and a Christian eschatological perspective, and in spite of the symbolic nature of events there are also social themes which remind us of Finžgar's village plays.

• Keywords: plays of Oton Župančič, »Slovene moderna«, Slovene drama in »moderna«, symbolism in Slovene drama, Slavic drama in the 20. century