Uprizoritev dramskega besedila in njena recepcija : (Ivan Cankar: Hlapci)

Žavbi, Nina (author)

Prispevek obravnava recepcijo slovenskega dramskega besedila v gledališču s stališča gledalca. Na primeru treh različnih uprizoritev Hlapcev Ivana Cankarja v tem tisočletju je prikazano, da je uprizoritev samostojno umetniško delo, ki dramsko besedilo aktualizira, ga postavlja v nove kontekste in tako še obogati izkušnjo, ki jo ima z dramskim besedilom bralec – dramsko besedilo v svoji popolnosti zaživi šele na odru.

• Language: Slovenian
• Keywords: Ivan Cankar, Hlapci, slovenska dramatika, uprizoritev, gledališče, gledalec, bralec
• Work type: Article
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: FF - Faculty of Arts
• Year: 2014
• Number of pages: Str. 545-550
• PID: 20.500.12556/RUL-147566
• UDC: 792.02:821.163.6-2.09Cankar I."20"
• COBISS.SI-ID: 3762011
• Publication date in RUL: 07.07.2023

Record is a part of a monograph

• Title: Recepcija slovenske književnosti
• Editors: Alenka Žbogar
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2014
• ISBN: 978-961-237-707-6
• COBISS.SI-ID: 276084736
• Collection title: Obdobja
• Collection numbering: 33
• Collection ISSN: 1408-211X

Secondary language

• Language: English

Abstract

The article deals with the reception of Slovene dramatic text in theatre from the audience’s point of view. Considering three different stagings of The Bondsmen by Ivan Cankar in this millennium, it is shown that a staging is an independent work of art that can relate to a topical issue. It puts the dramatic text in new contexts and by doing so enriches the experience of the recipient – the dramatic text really comes fully to life only on stage.

• Keywords: Ivan Cankar, Hlapci, Slovene dramatics, staging, theatre, spectator, reader