Afroditin Pas / Sonce, Drevo, Kolo

Šmalc, Anže (author), Gumilar, Marjan (mentor), Kreft, Lev (mentor), Stupica, Matej (comentor)

Kratka analiza, ki obravnava problem videza v povezavi z zaznavo in razumevanjem. Videz kot avtonomen fenomen izhaja iz politične filozofije Hannah Arendt in njegov razvoj retroaktivno spremljamo od njegovih začetkov v platonski filozofiji do njegovega sodobnega izraza v delu Henrija Bergsona. Pojavi se kontrast med zahodno idejo videza kot nečesa, kar je inherentno povezano z razumevanjem in mu je podrejeno, ter alternativno perspektivo, ki videzu pripisuje vrojen pomen. Ta študija predlaga tri možne odnose z videzom za subjekta - pojavljanje sveta kot predmet uporabe, pojavljanje sveta kot predmet kontemplacije in pojavljanje drugih v političnem življenju. Temu nasprotujemo z znanstveno-empiričnim svetovnim nazorom, ki v celoti razpolaga s subjektom in torej tudi videzom.

• Language: Slovenian
• Keywords: Slikarstvo, Videz, Dojemanje, Srhljivost, Razsoja, Smisel, Magistrska naloga
• Work type: Master's thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2023
• PID: 20.500.12556/RUL-147067
• Publication date in RUL: 22.06.2023

Secondary language

• Language: English
• Title: Aphrodite's Belt / Sun, Tree, Wheel

Abstract

A brief study dealing with the problem of appearance in relation to perception and comprehension. Appearance, as an autonomous phenomenon, is derived from the political philosophy of Hannah Arendt and its development is retroactively traced from its origins in Platonic philosophy through to its contemporary expression in the work of Henri Bergson. A contrast is drawn between the Western idea of appearance as something inherently related to, and subservient to, the understanding, and an alternative perspective which grants appearance significance in itself. This study proposes three possible relationships of appearance for a subject - the appearance of the world as an object of use, the appearance of the world as an object of contemplation, and the appearance of others in political life. We contrast this with a scientific-empirical worldview which disposes with the subject, and therefore appearance, altogether.

• Keywords: Painting, Appearance, Perception, Uncanny, Judgment, Sense, MA Thesis