Ljubljana, štirizložna? : Razmišljanje o trajanju zloga v slovenščini z gledišča govorca japonščine

Mita, Jun (author)

Prispevek obravnava trajanje zlogov v slovenščini z vidika govorca jezika s tonemskim naglasom. Japonskim govorcem beseda Ljubljana zveni nekako štirizložno. Tonska analiza potrjuje, da gre dejansko za štiri tone, ki naj bi vplivali na njihovo prepoznavanje izgovora. Tovrstna »občutljivost« ni povezana le z dejstvom, da je japonščina jezik, v katerem je tonemski naglas pomensko razločevalen, ampak tudi z dejstvom, da je jezik, v katerem je osnovna enota trajanja mora (angl. mora-counting language). Razlaga s pojmom mora ima potencial, da razširi raziskovalno področje trajanja zlogov v slovenskem jezikoslovju.

• Language: Slovenian
• Keywords: japonščina, slovenščina, tonemski naglas, mora, zlog, glasbena nota
• Work type: Article
• Typology: 1.16 - Independent Scientific Component Part or a Chapter in a Monograph
• Organization: FF - Faculty of Arts
• Year: 2022
• Number of pages: Str. 239-250
• PID: 20.500.12556/RUL-146481
• UDC: [811.521+811.163.6]'342.7
• DOI: 10.4312/Obdobja.41.239-250
• COBISS.SI-ID: 130488067

Copyright

Licenca navedena na pristajalni strani zbornika.

• Publication date in RUL: 02.06.2023

Record is a part of a monograph

• Title: Na stičišču svetov : slovenščina kot drugi in tuji jezik
• Editors: Nataša Pirih Svetina, Ina Ferbežar
• Place of publishing: Ljubljana
• Publisher: Založba Univerze
• Year: 2022
• ISBN: 978-961-297-026-0
• COBISS.SI-ID: 128310531
• Collection title: Zbirka Obdobja
• Collection numbering: 41
• Collection ISSN: 1408-211X

Licences

• License: CC BY-NC-SA 4.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
• Link: http://creativecommons.org/licenses/by-nc-sa/4.0/
• Description: A Creative Commons license that bans commercial use and requires the user to release any modified works under this license.

Secondary language

• Language: English

Abstract

This article examines syllable duration in Slovenian from the point of view of a speaker of a pitch-accent language. To Japanese speakers, the word Ljubljana somehow sounds four-syllabic. A tonal analysis confirms that there are in fact four tones, which should influence the recognition of the pronunciation. This kind of »sensitivity« is not only related to the fact that Japanese is a language in which pitch-accent has a semantically distinctive function, but also to the fact that it is a mora-counting language. The approach using the mora concept could have the potential to broaden research on syllable duration in Slovenian linguistics.

• Keywords: Japanese, Slovene, pitch accent, mora, syllable, musical note