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Reprezentacija moškega spola v filmu Stanleyja Kubricka »Eyes Wide Shut« : diplomsko delo
ID Jujnović, Iva (Author), ID Stanković, Peter (Mentor) More about this mentor... This link opens in a new window, ID Jontes, Dejan (Comentor)

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Abstract
V diplomskem delu obravnavam film »Eyes Wide Shut« (»Široko zaprte oči«). Cilj dela je analiza širšega pomena neobičajne in zelo posebne uprizoritve, predstavitve oz. reprezentacije Kubrickovega para v njegovem zadnjem filmu »Eyes Wide Shut«. Glede na številne stereotipizirane predstave glavnega močnega uspešnega moškega lika v filmih »Eyes Wide Shut« predstavlja prav nasprotno, popolno čustveno razrvanost in krizo ranjene moške identitete. V vsakodnevnem življenju smo vsaj nekdaj vsi bili priče nenehne patriarhalnosti, domestifikacije žensk ter pretirane čustvenosti in šibkosti kot izključno ženskih karakteristik. Pogosto velja, da ob ženski vedno stoji zaposlen, izobražen, finančno močan in uspešen (beli) moški, brez katerega ženske ne zmorejo. V patriarhalni družbi ženska ni sama svoj akter; problematično je, če si to želi biti. Veliko teoretikov pravi, da prihaja do krize identitete tega istega močnega in uspešnega (belega) moškega. Glavni namen diplomskega dela je preučiti pripovedno strukturo filma in reprezentacijo moškega lika dr. Billa Harforda. Ekscentrični režiser Stanley Kubrick je na zelo zanimiv način predstavil reprezentacijo moškosti, ki jo je mogoče kakovostno raziskati ob omembi nasprotnega ženskega spola, zato menim, da je v času izstopa iz stereotipov in dojemanja družbene umestitve žensk njegov zadnji film iz komunikološkega tako kot sociološkega vidika vreden ogleda in analize.

Language:Slovenian
Keywords:film, Eyes Wide Shut, Stanley Kubrick, reprezentacija, spol, moški, ranjena moškost, kriza identitete moškega
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FDV - Faculty of Social Sciences
Place of publishing:Ljubljana
Publisher:[I. Jujnović]
Year:2022
Number of pages:31 str.
PID:20.500.12556/RUL-143264 This link opens in a new window
UDC:316.7:305:791(043.2)
COBISS.SI-ID:134188547 This link opens in a new window
Publication date in RUL:10.12.2022
Views:699
Downloads:86
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Secondary language

Language:English
Title:Representation of masculinity in Stanley Kubrick's film »Eyes Wide Shut«
Abstract:
In my thesis, I discuss the film "Eyes Wide Shut". The aim of the work is to analyze the wider meaning of an unusual and very special performance, presentation or representations of Kubrick's couple in his last film, "Eyes Wide Shut." According to many stereotypical representations of the main strong successful male character in films, "Eyes Wide Shut" represents the exact opposite, a complete emotional breakdown and a crisis of wounded male identity. In our daily lives, at least once, we have all witnessed constant patriarchy, the domestication of women, and excessive emotionality and weakness as exclusively female characteristics. It is often believed that there is always a busy, educated, financially strong and successful (white) man standing next to a woman, without whom women cannot live. In a patriarchal society, a woman is not her own actor; it's problematic if it wants to be. Many theorists say that this same powerful and successful (white) man is having an identity crisis. The main purpose of the thesis is to examine the narrative structure of the film and the representation of the male character dr. Bill Harford. The eccentric director Stanley Kubrick presented the representation of masculinity in a very interesting way, which can be qualitatively explored while mentioning the opposite female sex, so I think that at the time of breaking out of stereotypes and the perception of the social placement of women, his latest film is worthwhile from a communicative as well as a sociological point of view viewing and analysis.

Keywords:movie, Eyes Wide Shut, Stanley Kubrick, representation, gender, men, masculinity, masculinity crisis

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