The purpose of the thesis is to present the path from a painting to a successfully made graphic print in the technique called vernis-mou. I also present the technique and show its dimensions. By familiarizing and explaining art concepts in the theoretical part, it is easier to understand the artistic interpretation of the created print. With a comprehensive artistic interpretation, which includes the photological and morphological level of the artistic language, the syntax of the artistic space, the syntax of the artistic composition and the semantic level, the experience of the art work is deepened, both on the intellectual level and on the level of experience. I expect from the thesis, a comprehensive and in-depth interpretation of all the work and time invested, as well as the disclosure of possible unconscious interventions of the subconscious on the artistic expression.
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