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(AVTO)PORTRETI
ID Podgorelec, Ajda (Author), ID Kariž, Žiga (Mentor) More about this mentor... This link opens in a new window, ID Stanič, Tomo (Comentor)

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Abstract
Obraz je sredstvo komunikacije, izražanja in upodabljanja. Od nekdaj ga uporabljamo za lastno reprezentacijo, saj verjamemo, da osebo najboljše opiše. Vendar to ni res. Reprezentacija ni vseobsegajoča in ima slepe točke, zato ne more predstavljati in upodobiti celotne osebe. Danes so se spremenili načini reprezentacije in razlogi za upodabljanje. (Avto)portretne upodobitve, ki so jih nekoč uporabljali za konzervacijo osebe v fizičnem objektu, so danes nadomestili selfiji, ki jih primarno uporabljamo kot dokaz življenja in sredstvo komunikacije. Vloga obrazne upodobitve je bila nekoč vezana na obraz, danes pa se je upodobitev osvobodila odvisnosti od obraza, kar pa ne pomeni, da je svobodna. Ujeta je v nenehni cikel lastnega izumljanja, ki sledi mikro-trendom obrazne reprezentacije, samo, da ostane relevantna in vredna pogleda drugega.

Language:Slovenian
Keywords:Slikarstvo, avtoportret, identiteta, deformacija obraza, ikona, obraz, diplomska naloga.
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2022
PID:20.500.12556/RUL-140702 This link opens in a new window
Publication date in RUL:17.09.2022
Views:783
Downloads:163
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Secondary language

Language:English
Title:(SELF)PORTRAITS
Abstract:
The face is a means of communication, expression and depiction. It has always been used for our own representation, as we believe that it can describe a person best. However, this is not true. Representation is not all-encompassing and it has blind spots, so it cannot represent and depict a person wholly. Today, methods of representation and reasons for (self)depiction have changed. (Self)portraits, once used to conserve a person in a physical object, are now replaced with selfies, primarily used as evidence of life and a means of communication. The role of facial depiction was once dependent upon the face, while facial depiction today is free from this dependency, which does not, however, mean it is free from all (such dependencies). It is caught in a continuous cycle of self-inventing, following micro-trends of facial representation, just so it stays relevant and worthy of the gaze of the Other.

Keywords:Painting, self-portrait, identity, face deformation, icon, face, BA thesis.

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