Med figurativnim in abstraktnim v sliki

Čepič, Vita (author), Jerčič Jakob, Anja (mentor)

Diplomsko delo poteka na teoretični in likovno praktični ravni ter preučuje polje med figurativnim in abstraktnim v sliki. V teoretičnem delu sem se najprej osredotočila na abstraktno likovno umetnost. Opredelila sem pojem abstrakcija in s pomočjo različnih zapisov umetnikov in teoretikov podrobneje razložila abstraktno slikarstvo. Analizirala in predstavila sem različne procese nastajanja abstraktne umetnosti. Podrobneje sem razložila proces abstrahiranja, ki poteka na perceptivni, formativni in oblikotvorni ravni. Besedo sem namenila tudi vrstam abstraktnih slik, pri čemer so me še posebej zanimale razlike med predmetno in nepredmetno abstraktno sliko. Natančno sem opredelila in razložila razvoj abstrakcije v slikarstvu. V nadaljevanju sem se osredotočila na podrobnejšo razlago figurativne umetnosti. Jasna opredelitev abstraktne in figurativne umetnosti me je pripeljala do glavne teme diplomske naloge. Tu sem se osredotočila na različne umetnike, kot sta Cecily Brown in Willem de Kooning. Analiza umetniških del, ki se giblje v polju med figurativnim in abstraktnim v sliki, mi je omogočila podrobnejši in celovitejši vpogled v temo diplomskega dela. V likovno praktični izvedbi sem ustvarila slikarski opus, ki sem ga povezala s poljem figurativne in abstraktne umetnosti. Glavni namen diplomske naloge je podrobneje razložiti in analizirati abstraktno ter figurativno umetnost in nato predstaviti polje med njima, ga raziskati ter prikazati, kako se odraža v mojem lastnem likovnem ustvarjanju.

• Language: Slovenian
• Keywords: abstraktna slika
• Work type: Bachelor thesis/paper
• Typology: 2.11 - Undergraduate Thesis
• Organization: PEF - Faculty of Education
• Year: 2022
• PID: 20.500.12556/RUL-140256
• COBISS.SI-ID: 120797955
• Publication date in RUL: 27.09.2022

Secondary language

• Language: English
• Title: Between the figurative and the abstract in painting

Abstract

This thesis focuses on the theoretical and practical levels of art and explores the field between the figurative and the abstract in painting. In my theoretical part I first focused on abstract art. I defined the concept of abstraction and abstract painting by drawing on various texts of artists and theorists. I analysed and presented various processes of creating abstract art. My main focus was the process of abstraction which takes place at the perceptive and formative levels and entails representation and creation. I also focused on types of abstract paintings. I was particularly interested in the differences between figurative and non-figurative (non-objective) abstract paintings. I precisely defined the development of abstraction in painting. Then, I focused on explanation of figurative art. Clearly explaining abstract and figurative art led me to the main topic of my thesis - I focused on different artists such as Cecily Brown and Willem de Kooning. The analysis of artworks which moves between the figurative and the abstract in painting enabled me to have a more detailed and comprehensive insight into the topic of the thesis. In my practical part I created a cycle of paintings that connect to the field of figurative and abstract art. The main purpose of my diploma thesis is a more detailed explanation and analysis of abstract and figurative art, and presentation and exploration of the field between them and its portrayal in my own artistic creation.

• Keywords: abstract painting