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Onkraj prešernovske strukture: Ljubav reče greva
ID Zidar, Anja (Author)

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Abstract
Prispevek obravnava pesnitev Ljubav reče greva Nine Dragičević. Osnovna literarna interpretacija pesmi je razširjena v obravnavo teme pesnika in njegovega dela. Skozi to tematiko v pesnitev vstopa dejanski družbenopolitični položaj literarnega umetnika, ki je deloma še vedno ujet v nadnacionalno in nadčasovno prešernovsko strukturo. Članek zaključujeta performativna obravnava in aktivistična sinteza pesnitve.

Language:Slovenian
Keywords:slovenska književnost, slovenska poezija, slovenske pesnice, položaj umetnika, performativna teorija, Nina Dragičević, Ljubav reče greva
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:FF - Faculty of Arts
Year:2021
Number of pages:Str. 293-299
PID:20.500.12556/RUL-137897 This link opens in a new window
UDC:821.163.6-1.09Dragičević N.
DOI:10.4312/Obdobja.40.293-299 This link opens in a new window
COBISS.SI-ID:91852547 This link opens in a new window
Publication date in RUL:05.07.2022
Views:876
Downloads:82
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Record is a part of a monograph

Title:Slovenska poezija
Editors:Darja Pavlič
Place of publishing:Ljubljana
Publisher:Znanstvena založba Filozofske fakultete
Year:2021
ISBN:978-961-06-0542-3
COBISS.SI-ID:83371267 This link opens in a new window
Collection title:Obdobja
Collection numbering:40
Collection ISSN:1408-211X

Secondary language

Language:English
Abstract:
The article analyses the poem Ljubav reče greva (Luv Says Let’s Go) by Nina Dragičević. Basic literary interpretation is broadened by assessing of the role of a poet and his/her work as portrayed through the poem. By integrating this theme into the poem, I argue, the author brings about the socio-political status of literary artists, who are still to some extent entrapped within the supranational and timeless Prešeren structure. The article is concluded by an assessment through performative theory and offers a socially proactive outlook.

Keywords:Slovenian literature, Slovenian poetry, Slovenian women poets, the status of literary artist, performative theory, Nina Dragičević, Ljubav reče greva

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