The article deals with a comparative versological analysis of Kette’s poem Zaprta so njena okenca (Closed are her small windows). In order to analyse Kette’s poem, I draw upon the theory of Korčagin and Plungjan. I focus on the type of accented verse that Russian versologists have named dolnik. The dolnik appeared in Slovene poetry in Romanticism (Prešeren) under the influence of German models and later experienced a productive development in the poetry of realism and especially poets of the Moderna. The Moderna poets designed their new verse patterns based on previous periods, adding their own variations.
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