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Preverjanje čitljivosti lastne pisave
ID Rauh, Patricija (Author), ID Možina, Klementina (Mentor) More about this mentor... This link opens in a new window, ID Franken, Gregor (Comentor)

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Abstract
Tipografija se pojavlja na praktično vseh področjih življenja. Tesno se prepleta s predstavljanjem informacij, komunikacijo in tudi kulturno identiteto. Do izuma tiska in računalnikov je bilo zaradi pomanjkanja ustrezne tehnologije pisav malo, nato se je skoraj čez noč pojavila poplava novih črkovnih slogov. Dandanes je dostopnih ogromno orodij za oblikovanje pisave, kar omogoča, da se tega lahko loti praktično vsak. Kljub temu vsaka pisava ni nujno uporabna. Za uspešno oblikovanje je treba slediti že vzpostavljenim tehničnim načelom. Diplomsko delo se ukvarja z oblikovanjem pisave in vrednotenjem čitljivosti. V teoretičnem delu smo razložili osnovne pojme za razumevanje tipografije; razčlenitev črkovnega znaka in črkovnih slogov. Dotaknili smo se načel za oblikovanje pisave in razložili pojem čitljivost ter opredelili vplive nanjo. Hkrati smo pojasnili njeno testiranje z napravo za sledenje očesnim premikom. V eksperimentalnem delu smo analizirali lastno pisavo in jo uvrstili v črkovne sloge, nato smo na podlagi izbranih besedil ter naprave za sledenje očesnim premikom testirali čitljivost pisave. Na koncu smo analizirali rezultate raziskave. Naša oblikovana pisava se je glede na hitrost branja kot dobro čitljiva izkazala v večjih velikostih. Najdaljše premike in najmanjše število zaustavitev smo izmerili pri manjših velikostih.

Language:Slovenian
Keywords:čitljivost, črkovni slogi, pisava, sledenje očesnim premikom, tipografija
Work type:Bachelor thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2022
PID:20.500.12556/RUL-137488 This link opens in a new window
Publication date in RUL:18.06.2022
Views:12949
Downloads:146
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Secondary language

Language:English
Title:Legibility analysis of designed typeface
Abstract:
Typography is part of our everyday life. It is closely intertwined with the representation of information, communication, and even cultural identity. Due to the lack of appropriate technologies, only a few typefaces were in use before the invention of the printing press and computers. Then, almost overnight, a flood of new letter styles appeared. Nowadays, however, there is a huge number of tools available for designing typefaces and therefore, almost anyone can do it. Nonetheless, not every font is useful and well designed. Successful design requires following the established technical principles. This thesis deals with font design and the evaluation of legibility. In the theoretical part, we explained the basic concepts concerning typography; the breakdown of the letter sign and letter styles. We described the principles of type design and explained the concept of legibility and its influences. We also elucidated measurements of legibility using an eye-tracking device. In the experimental part, we analysed our own typeface and identified its letter style. We then tested the legibility of the typeface based on predetermined texts, a questionnaire and an eye-movement tracking tool. Lastly, we analysed the results of the survey. The designed typeface has proved itself to be most legible in larger type sizes in terms of reading speed. However, the longest saccadic movements and the smallest number of fixations were measured in smaller sizes.

Keywords:eye tracking, legibility, typeface, type style, typography

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